1:09 PM, Thursday September 10th 2020
Okay, thank you!
Okay, thank you!
Got it!
Nice, thanks for the reply!
Thanks for the critique! In the first part, I was trying to make the far side smaller than the near side, but the mechanics of that was a bit difficult, because I had to coordinate the motion with also making the degree larger. I considered starting with the minor axis, then the near side, then the lateral lines and finally putting the far side "inside" the two laterals, trying to make it tangent to both lines, while aligned with the minor axis. Would that make sense?
Thanks for clarifying!
Thanks for the feedback! In particular, the part about point corners makes so much sense, I'll keep that in mind for future constructions.
My revisions are finially done: https://imgur.com/gallery/WHgW5Yw
Thanks for the critique, Uncomfortable. I'll do the extra drawings in the next few days.
Ah, okay! No worries, I just wanted to check.
Thanks for the comments, Uncomfortable. I'll keep them in mind for the future lessons. One minor thing I noticed is that you wrote at the Next Steps to "move onto lesson 4". It should be 5, right? I don't know if this makes any difference in my ability to submit the next lesson, but who knows...
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
This website uses cookies. You can read more about what we do with them, read our privacy policy.