6:25 AM, Monday August 2nd 2021
i got too bad when i tried a tiger but i tried to follow excatly as u told me and i took my time doing them
i got too bad when i tried a tiger but i tried to follow excatly as u told me and i took my time doing them
sorry for sending a reminder ????
and thank you for answering my question
i undrestod the idea of construction more and i will apply it in the next lesson and i will follow the 50% rule on my sketches .. and now i get the idea of sketchbooking a lot better .. thank you mr irshad ????
a problem that is driving me crazy it is about using a sketchbook i don't know how to start a drawing or what to draw should i draw something from my mind which i tried and turned out really badBecause I don't have a clear vision of what I am drawing
or should draw from reference photos I also tried it but I don't know why it also turned out bad - and also I tried to do some masters studies from mr. glean kean work
or draw the things after learning them like should i draw insects after the lesson of insects .. etc
and should i use ink or should i use graphite should the drawings be sketchy or refined and beautiful so many question that just lead me to close the sketch book and call it off (:
I'm so confused about the idea of a sketchbook , how to use it? What should I draw in it ?
here is what i have done so far https://drive.google.com/drive/folders/1-vwq9rlEg4i8C-rTgtD3Vvc5mGcMnMqX?usp=sharing
thanks a lot mr.Irshad i understood my problems with foreshorten and the problem with cylinder 193 it made a lot of things much clearer and i will keep working on them to improve ..thank you for your amazing critique ????
oh really sorry for bothering ,, i didn't know that ..???????? i guess i am a bit enthusiastic actually a lot .. okay i understand now totally your point i now know the right things and i totally understand that anything that i think that needs improvement i should work on it and use it as warmup in the beginning of each sitting that a really good ides again i really apologise for this problem wich turns out was not a problem???????? ...
hi mr tofu thanks for the critique but to improve i want todo some other texture analyse and some organic forms in the right way as u explained to me .. cuz i want to improve them so can u kinda help me with that and give me an amount of how much should i do of those and then send them back to u and see if they have been improved and after it i guess i will start with the 250 challenge instead of lesson 3 what do u think about that ?
thank you miss SCYLLASTEW and i will definitely follow your advice ????
hi thank you miss SCYLLASTEW I have drawn 5 boxes in three point perspective I triedto apply the line weight as much as I can and I have folowed your steps from the video which by the way are really really good It helped a lot and I rotated the page literally in every line as much as I could and also I have video tape myself drawing each box of them each one is labelled by it's number in the Google Drive link but one of the problems that I've noticed about what I'm doing is the line weight every time I try to apply the lineweight it just messed up it's not consistent it doesn't follow the trajectory of line even if I tried to do the ghosting method so I have also made a paper called problem in line weight and a videotape myself doing some lineweight so cos I really don't know what's the problem I m doing in applying the " line weight problem " so .. can you help me find out how to improve this problem ? and waiting for the rest of your awesom critiques I really want to improve any mistake that I'm making .. thank u
https://drive.google.com/drive/folders/1HOZgHlNZ61zgJIsHMjH0_xivxRjs5MnS?usp=sharing
hi mr SCYLLASTEW
thank u for that awesome critique i have tried my best doing the 30 additional boxes and i also aded a video of me drawing 2 boxes for any critiques to help me improve .. thank u
https://drive.google.com/drive/folders/1r4P6yoljnhUu9ONXkXmuTf8fabW439cR?usp=sharing
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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