Sorry for taking a while to respond. Thank you so much for taking your time with your critique and I'm glad that you didn't sugarcoat it. Don't mind the mistake I made with one of the boxes and I'm fine with whatever you will say afterwards.
Okay, Im glad you found it useful and that you are willing to afron the mistake, thats really important for moving forward. That said, I think that in your last two boxes there is a huge improvement on convergence, there is still some calibration issues, but I think that you are starting to understand what you need to be aiming for with your boxes.
This said, whenever you are drawing your lines so they go towards a vanishing point, you need to take into account how that line will relate with the other lines in the set so you can guess more accuractely. I know how confusing it sounds, but here is a diagram that explains it better, just look at it from time to time and it will eventually click. Im confident on explaining you this because you showed that you understood what I told you on the last revision!
Also check this method of construction to solve the back cornern issue.
Now, we are going to make some more boxes so you can get some practice with this new concepts, Im not aiming for you to hist these perfectly, as I said I want you to have some room for playing with this elements before you move on with the course.
Next Steps:
Im going to ask for two more pages with 4 boxes in each so you can have some space, remember to take your time and try to actually solve these thinking them like an exercise, which they are!
Sorry for the late reply once again.
Hey these are looking like you are going on the right track! Since it looks like you got an idea of this topic Im gonna go ahead and mark this challenge as completed! I highly recommend you keep on practicing your boxes on your warm ups though.
Next Steps:
Feel free to move on to lesson 2.
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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