10:14 PM, Thursday March 12th 2020
Hi there, awesome feedback, it was really helpful and I'll definitely work on these points, thank you for your time.
Hi there, awesome feedback, it was really helpful and I'll definitely work on these points, thank you for your time.
Good work, one thing that I could notice is that your lines tend to wobble/curve a little bit when dealing with the forms that are more compound (planes/boxes) in comparison to the singular (ghosting lines), try to focus on getting them straight and smooth, taking the time and treating each line of the compound as a single unit of effort. Other than that, I think you'll really benefit from going through the 250 boxes challenge (also keeping in mind that a box has 3 sets of lines, and each different set will converge to a vanishing point).
Next Steps:
250 Boxes Challenge.
I'm currently at this same situation, being brand new to digital art, I'm giving a try on the lesson 1 exercises digitally in parallel, since they're pretty much focused on the line confidence / quality. I felt a considerable improvement since then. But of course, considering the time I spent with this practice as part of the 50% study time.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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