9:14 PM, Wednesday December 9th 2020
Thanks mate
Thanks mate
Hey, Purvadj! Thanks for your invaluable support, much love friend!
Wow, good for you!
His online course on drawing figures almost completely ignoring basics human anatomy, well at least t does not emphasizes on that (he says that it is important to understand human body structure at a moderate level, before commiting to his course). I would recommend to acquire his course as soon as you fammiliarize yourself with human body structure, perspective and try to problem solve for a while on your own, by doing studies.
In terms of drawing figures overall - his course is quite handy, he shows how to turn body into the set of boxes and ellipses and talks some insightful stuff about his experience.
DOODLESOFDISHONOUR, Hey! Thanks again, I'm glad to inspire you! Eventhough, everyone have their own path, but I've found Kim Jung Gi advices quite advance for a beginners, he makes it look so easy, but you may found yourself forgetting about his incredible mileage under his belt.
I even bought his online course on drawing figures in perspective. Despite the fact, that he says it is for all levels, I found it extremely inpractical for a begginer (again, from my point of view).
I figured out that it would be more practical to just study things on an everyday basis and watch his streams on YouTube to see how he works with line weight, shading and overall draftsmanship, and then, while you are studying, just being present and ask yourself : "Ok, so how would Kim approach these, how would he make a specific mark there?" etc.
I hope that it helps on your path too! Have a wonderful week!
Hey, Don, thank you!
DOODLESOFDISHONOUR'S SKETCHBOOK, hey! Thanks for feedback! Yeah, you are absolutely right, masters Kims work is a great piece of inspiration for me. Though, I've never thought until you point that out it would resonate somehow on my work and sketches :)
Thanks, Purvadj! Have no words to describe how much you ignited me with your support
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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