https://imgur.com/gallery/U21FzPz
Hope its ok now. It feels like i have to practice with ballpoint much more. The pen glitched away so often. My line was pretty horrible. Anyway, i hope its good enough for this time!
n my original attempt i drew often a dot, instead of a line, because at a certain point i could'nt see the form anymore. So that's why i did'nt draw so many lines. i hope that's better now.
These are soo much better. I'm extremely pleased with the specificity of the constructions, especially when it comes to how you've handled your curves. While you didn't necessarily block out all the straight/flat planes first, then curve them out, it's very clear that these calculations were being done in your head much moreso than they were previously, resulting in more intentional surfaces. As a result, both of these cars look extremely solid and believable. Excellent work.
I am happy to mark this lesson as complete, and with it the entire course. Congratulations!
Thank you very very much again!!! I am very happy, that i have done this course (there is still one challange to master).
This is my last longer "additional" massage to you, as i realized, that i have streched your attention to the limit and that you ve way to much to do. I know it for myself pretty well, how 24/7 feels, although you love your work (as i probably mentioned, i am from a theaterbackground...)
I will move on to other courses, but i am still planing to do drawabox at least 2 more times (i will not write so long massages and questions again!!)
So i have a few friends, that i hopefully convinced to do this course. I hope, that i can give back at a point! Maybe i am doing a review after i have finished my thired time. When i do it, i will send you a preview, so you can tell me, if you like it, or not...
so! Thanks again man! Its realy a great side and you're a great teacher and observer. There are even some things you said, that i can transfer to my own proffession. Ihope that you keep doing it!!
Paul
I'm always happy to have people review my course - even if they have negative things to say, as long as it's constructive, it ultimately all gets factored in when I decide what the next steps I wish to take will be. As you may have noticed - I have a habit of revising the content every year or two, because there's always things that can be improved.
Anyway, best of luck!
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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