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5:38 AM, Friday July 3rd 2020
Hi it says that image doesn't exist or been deleted. Try to reapload
5:59 AM, Friday July 3rd 2020
see if this work, I am new to using imgur so forgive any inconvenience
6:32 AM, Friday July 3rd 2020
Yeah this one works. Good job working on the planes lines are better.
Ellipses still wobbly but you'll work on them. So definitely add some exercises with circles to your warm up. I find planes and circles and funnels useful for me.
Congrats on completing lesson 1 and good luck. Keep up the good work.
Next Steps:
Next Steps:
First of all, congratulations on finishing lesson 1! Your next step is the box challenge.
As I marked this as complete, you are now qualified to critique lesson 1 submissions.
-Doing critiques is a way of learning and solidifying concepts. I can atest to that after having done hundreds of critiques. There are a lot of concepts that I did not understand, and thanks to critiquing I started understanding them. Which made me learn a lot more through the course.
-Another thing is that as the number of current submissions is super high, if you critique some critiques, those would be less critiques I'd have to critique before reaching your next submissions, so you'd get your critiques faster. The new system ordering submissions also makes that the more agrees your critiques have the higher you'll be placed in the queue of critiques, which will improve your chances of getting critiques faster as well.
It's totally optional of course, I won't force anyone to give critiques. But me and the other people who are critiquing would be super grateful if you gave it a shot.
Good luck on the box challenge, and keep up the good work!
NOTE: here's https://pastebin.com/dYnFt9PQ a quick guide on critiquing lesson 1 submissions.
There are a few people that feel hesitant to critique because they feel they aren't ready to it so hopefully it'll help you in case you are one of those people.
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The Art of Blizzard Entertainment
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.