View Full Submission View Parent Comment
5:11 PM, Saturday February 19th 2022
edited at 5:13 PM, Feb 19th 2022

Hi! So, corners. Corners form when two forms interact with each other; if you look at the tail of the lobster, there's a clear corner there. Of course, that's the form that's in the reference, but it's also a point of intersection with the rest of the forms. The thing with corners is that they tend to suggest interaction with other forms.

Like here, the corners make it easy to imagine that there's another form clashing with it. That's not useful when we're adding forms to the legs, because in that case we need them blending with the rest. But if you notice in the example, those look a lot like plates, which is what we need for something like a grasshopper. So, it's not about avoiding corners, but about noticing when it's useful to use them and when it is not.

So, about the way the grasshopper plates work. It's something like this. Remember that all those forms wrap around your initial construction. In the case of the underside, you can break the plates as if you were following the contour lines of the abdomen; think about the wasp demo. The example is drawn in Paint so it's not accurate, it's just an example for you to understand how those things could be broke down.

And I'd recommend that you work with images as big and HD as you can, because in that grasshopper is a little difficult to figure out what's happening back there.

Hopefully that helped a little!

edited at 5:13 PM, Feb 19th 2022
5:08 PM, Saturday February 26th 2022

Hi sorry its taking so long it's just been hard wrapping my head around drawing the forms around each other but i do feel it's getting better then before I mainly wanted to ask you how I use line weight to separate my forms and make them clearer so I just give my forms in from a thicker line weight? I'll also show my drawing and reference so you can get a better idea of what I'm working with


https://imgur.com/a/N2SJwP9
7:05 PM, Saturday February 26th 2022

Hi, no problem, take your time, from what I can see it's getting better. As for the lineweight, try to apply it just to the overlapping lines. For example, on that leg, you applied lineweight, which is good, because that area is full of lines; but you also applied it to the underside of the leg, which doesn't have any overlapping lines.

So what you should do is give more lineweight to the overside of that leg, ghosting every line, that way they will be precise and confident. And just to the section that overlaps with the body, the section that is alone on the side doesn't need it.

6:12 PM, Sunday February 27th 2022

Hi I've got my work finished I definitely head some troubles such as drawing forms wrapping around other forms or drawing smaller sausage forms without accidentally making them pinch or one part to large however I definitely feel I understand froms wrapping around each other better then before. Thanks for the critic and hopefully I'll be able to move on to lesson 5 https://imgur.com/a/uQqG3nI

View more comments in this thread
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
Staedtler Pigment Liners

Staedtler Pigment Liners

These are what I use when doing these exercises. They usually run somewhere in the middle of the price/quality range, and are often sold in sets of different line weights - remember that for the Drawabox lessons, we only really use the 0.5s, so try and find sets that sell only one size.

Alternatively, if at all possible, going to an art supply store and buying the pens in person is often better because they'll generally sell them individually and allow you to test them out before you buy (to weed out any duds).

This website uses cookies. You can read more about what we do with them, read our privacy policy.