11:32 PM, Saturday July 23rd 2022
Hi NOW_ITS_ORANGE! I'll be reviewing your homework. Let's see:
Organic Forms with Contour Curves: First of all, it was supposed to be two pages with contour curves, not ellipses, so there's that. A lot of the sausages are well done, but some of them are bigger on one side or the other. Try to think of them as two spheres joined by a tube, nothing more than that.
As for your curves, it would've been great to see more degree change, as they describe how the form is turning in 3D space. Also, some of the curves are asymmetrical in their degree: one end has a bigger degree than the other in the same curve. Be very careful when you're drawing the curves, ghost them thoroughly and try to visualize them before making the actual marks.
Insect Drawings: First of all, the lineweight: it is excessive. Apply it only on the sections that intersect each other to clarify what's on top of what; do that only when it's needed and with subtlety. I know it's tempting to apply it indiscriminately, but the end result is a very messy drawing.
I really appreciate the effort you went through, drawing even the informal demos. But the moment you start drawing other insects (without a previous demo) the cracks start to show. Some things are pretty good, like the construction of the legs on some of them, and the base construction is there most of the time. But most of the time once you have that initial construction, you draw all the other forms on top, without making them interact at all with your initial construction.
This is not helped at all by the fact that you're drawing extremely small for what's required. Sometimes you have so little space that it is impossible to construct anything. The first and third page are the best here, but even there, it's just too small to work on what you have to work. And even then, you have issues like constructing shells without acknowledging the natural curve of the forms underneath; drawing flat legs instead of constructing sausages on which you add forms later; not drawing through the legs on the background and forms in general; and the linework making all the drawings look really sketchy and messy.
They look visually good a lot of the times, but remember that we're not here to draw pretty drawings: we're here to learn about constructional drawing, using these drawings as a tool to do so.
I can see that you're putting a lot of effort, but you need to redirect that effort to the things we're actually trying to learn. So, I'll ask for the following:
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1: Go back and read again the demos, especially the first two, and the lobster and shrimp ones from the Informal demos. Pay special attention to the way the forms get added onto the initial, simple construction.
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2: Make 7 drawings of insects without any detail. Draw big, one insect per page. Add the reference photos to the submission.
Once you're done, submit them here and I'll take a look. Remember to go easy on the lineweight, use confident and fluid lines, draw through all of your forms, and don't hatch the background legs.
Good luck!
Next Steps:
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1: Go back and read again the demos, especially the first two, and the lobster and shrimp ones from the Informal demos. Pay special attention to the way the forms get added onto the initial, simple construction.
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2: Make 7 drawings of insects without any detail.
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Draw big, one insect per page. Add the reference photos to the submission.