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2:33 PM, Monday February 3rd 2020

Hey MRDENT, great work here. I love how you are comfortable starting out your drawings with boxy forms and not getting caught up in details too early. The way you handled the complex goose neck of the kettle especially tickles something deep within me as it's a very effective way to tackle more complex forms. Overall your point of view choices for the objects are very well thought out and help further communicate form and even context. Some things you could work on to improve would be a gentler touch on your line weight as all of your lines are fighting for attention and sometimes the forms get lost in the fray. Remember that line weight should most be emphasized along the bottom silhouette where the object makes contact with an imaginary ground plane, and to clarify overlapping forms. Additionally, since no object in reality has perfect cornered edges, you can start to add little fillets/rounds to your boxy forms to bring another layer of believability to them. Overall though there isn't much to say as you have done a great job of breaking down objects to their most base primitive forms which is the number one goal not only in this lesson but all of drawabox! I'll be looking forward to seeing your work in the next lesson and in the future in general. Keep up the good work.

4:58 PM, Monday February 3rd 2020

hey svendogee,

thank you for the critique! You're absolutely right with my lineweight. Normally I take care with it, but I think I wanted to pop out as a finished construction. Next time I will tackle it with more texture/shadows.

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