Reading the bit about the relativity of shifts in scale and degree and going back to check out the one you were talking about (and others) was a huge "Aha" moment for me, it's so obvious theres something wrong, but I wasn't totally sure what to do differently.
Anyways, as always, thanks a lot!
Thanks a lot, it's really gratifying to know progress is being made (lots to think about/work on too of course).
https://imgur.com/a/T2mL5sC - and here's my revisions!
After the first one I realised I had done virtually none of what you said, and continued to rely on contours, so there's a few pages there; by the last two in particular I definitely felt like I was better seeing masses that I could attach so hopefully that comes through in the work.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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