1:17 PM, Thursday June 9th 2022
Hello,
Glad I could be of help.
Have a good day :)
Hello,
Glad I could be of help.
Have a good day :)
Hi, sorry I burnt out. Now I am planning to get back, but not sure how to get back. Should I restart from lesson 1 or start from next task (250 boxes challenge)?? I have nowhere to ask this question.
Hello, sorry to hear that.
May it helps hearing that throughout the course I had some burn outs too.
It is important to understand how you want to challenge yourself and more important what's your goals + how much time you can/want really to dedicate to the lessons.
I started the everyday method following the course strictly but then something clicks.
I know that may one day I will be redoing it all may paying and being reviewed by 'Uncomfortable' himself.
Double work? Yup, for sure but at least I'm in line with my decision and fine with that.
I follow schedules only for important things, so more in this case, I'm not a person that will be aiming of an everyday thing plus as an already a self thought artist I want to improve my art but, for now, not professionally so maybe this method is not the best for me but in general I'm okay of doing it solo with the rollercoaster flow with its ups and down 'cause it's working for me.
The best will be following the thing as said but I think everyone has to find his own path.
Anyway, responding to your question, if it was max 3 months I think it will be okay of may doing like 50 boxes and then be back on for the review again but as 1 year passed by, if you really want to follow the course, it will be better restarting.
Wish you the best :)
Thanks for your comment. I have already restarted and this time going slow at the beginning. I am trying to fit this in my current schedule as well as make this a discipline so that I won't burn out again. So far it is working.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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