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7:28 PM, Monday April 24th 2023

Definitely looking much better, in terms of the variance in rates of foreshortening. I'm also pleased to see that when you increase the rate of convergence of those side edges (resulting in a smaller far end), you're matching it with a similar increase in degree for that far end.

Additionally, your line quality - specifically with the side edges - improves towards the end of the set, although I do want to remind you to actively use every aspect of the ghosting method whenever you're freehanding your linework. Meaning, for straight lines, you do not want to leave out plotting out the start and end points, as this helps to cement the purpose of the planning phase, ensuring that you're applying it correctly rather than just going through the motions of it.

I'll go ahead and mark this challenge as complete.

Next Steps:

Move onto Lesson 6.

This critique marks this lesson as complete.
10:07 PM, Monday April 24th 2023

Thanks Uncomfortable, great feedback again as always.

Cheers,

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The Art of Brom

The Art of Brom

Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.

The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.

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