Hello, thanks for the answer, I was making these two drawings of animals trying to correct my past mistakes and follow the advice that you indicated to me.
I'm sorry about the first exercises , I had done it only that I confused the images, anyway I uploaded them to drive corrected
Looks like you're doing a better job of applying most of the concepts. Just a few things to keep an eye on:
Your eye socket shapes are close, but not quite matching the informal head construction demo, so take a closer look at that.
When constructing feet, you can start the main section of the foot with a boxy form, then add the toes themselves as their own separate boxy forms, rather than just trying to wing it from there. You can see what I mean here on another student's work.
Also, keep in mind for the future that if your work's been marked as complete, then you generally should not be submitting further work for review, and giving feedback takes time. If we decide that a student requires further revisions, then we do allow those to be included in the cost of the original critique, but that is left to our judgment rather than the student's.
The critiques we offer, out of necessity, must follow a fairly strict guidelines to ensure that we can keep up with our workload.
hello again, I'm doing the challenge of the cylinders. and I have some doubts about it
1.The cylinder axis lines have to be arbitrary? because you told me something similar for the box challenge.
3.Is there a problem if some cylinder angles look similar? because I have to draw many cylinders it is possible that some angles will be repeated.
I'm sorry, I accidentally sent this text as a report before
We have a "Questions/Discussions" section on the website. While I do answer questions there fairly frequently, posting your questions there means that I do not necessarily need to do so myself, leaving me more time to complete paid feedback for other students. I have been trying to imply this to you for a while now, but in my desire not to appear harsh, I've answered questions that have gone beyond the scope of the critique you were chaining your reply to.
This time, I'm going to have to ask you to ask your question there, or on our discord server where plenty of people would be more than happy to answer.
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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