9:15 AM, Friday August 14th 2020
Oh, sorry. I made it shareable https://drive.google.com/drive/folders/1F5u_NhxeYzBecfA6xBLLIlN6fcfnlOtC?usp=sharing
Oh, sorry. I made it shareable https://drive.google.com/drive/folders/1F5u_NhxeYzBecfA6xBLLIlN6fcfnlOtC?usp=sharing
Ok, I can see the blood now, Be careful!
Anyway, your texture homework is significantly improved. I don't think any specific feedback is necessary as you are going in a good direction with it now.
The organic arrows are still sloppy. You have a lot of lines that intersect(for example the 'body' of an arrow will intersect everywhere with the 'head' of the arrow). There's also still a slight issue with arrows expanding and narrowing randomly(although less than before). There is more variety in the arrows now though, so that is an improvement.
I scrolled through other people's homework and found a good example for organic arrows.
https://imgur.com/gallery/ywK9Be1
I'm marking your lesson as complete, as we aren't chasing perfectionism here. I gave you a more indepth feedback on the arrows again because there is another organic arrows exercise in lesson 3 that you'll need to do. I think analyzing the work of the person I linked will help you improve.
Next Steps:
Good luck with lesson 3!
Thanks for the critique. It had been really helpful :)
Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.
The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.
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