Lesson 1: Lines, Ellipses and Boxes

7:53 AM, Friday June 3rd 2022

lesson 1 - Album on Imgur

Direct Link: https://i.imgur.com/5iObniG.jpg

Find, rate and share the best memes and images. Discover the magic of th...

Hello!

Here is my submission for lesson 1

Thanks for any feedback

0 users agree
11:33 AM, Friday June 3rd 2022

Hello, lunyssa! These are my comments about your work.

Lines

  • Let's start with the superimposed lines. I can see you lines fraying at one end, but it's normal as you're beginning the course. I also notice that you keep a single starting point for each line, that's good. However, there is some wobbling in the lines, perhaps, due to the lack of confidence at the moment. You may want to add this exercise to your drawing-warmups as mark-making is a gradually improving skill.

  • The ghosted lines are generally fine, but to my eye they tend to have a slight bump when approaching ends. Again, prioritize confindence over accuracy. Try examining your arms movement with a conscious effort and then counteract on difficult fragments, so it will compensate arcing and bumping of your lines. There are some ink leftovers near the line ends, you may try lifting your pen off the page the second you hit that end point to get rid of them.

  • I see that you're ghosting your planes, that's a good thing. Again, the same markmaking comments about the end bumps apply to these lines, but overall a solid work.

Ellipses

  • Continuing with the ellipses in planes, I see that you tried to keep them touch the edges and each other. Yet, you've overdone the exercise a little bit and drawn through some ellipses more than 3 times. Remember, that for Drawabox you should do it only 2-3 times for each ellipse. Prioritize the symmetry — especially, pay attention to the parts when they are crossing the invisible major axis — and try to make their shape closed. This exercise is particularly useful for warmups.

  • The ellipses in plane are drawn with the intention of touching the lines, but you should keep more attention to the eveness of their shape, so you wouldn't not get them deformed. However, I see that you improve in this exercise.

  • The ellipses in funnels are okay, the spacing and alignment is also good. One thing is you could've played a bit more with the degree shift, it would've become useful in the later lessons where this tool is used to convey perspective of round 3D shapes, but it's not required this time.

Boxes

  • Plotted perspective looks good, hatching of the front sides is also clean, nothing to add here.

  • Rough perspective is a tough exercise, you did a nice try and used the error-correction method. As you can see, the farther boxes miss the VP more often ending more closely than they should, so just as with the markmaking you may want to try to overshoot it consciously, see that will be the result and then correct again until you nail it.

  • The rotated boxes task looks surprisingly good, my congratulations! You kept in mind the rotation and used the side of adjacent boxes as hints to draw your other boxes. Maybe, some hatching to emphasize the front sizes would be helpful, but entirely not required.

  • The organic perspective boxes look rather confident, ghosted and not distorted. Their supposed parallel lines also visibly converge to some VPs, that shows your understanding of the task and how the 3D space works. You will work more on that in the 250 boxes challenge.

To summarize, it looks like you got the purpose of each exercise and put the effort to achieve it. Outside of minor markmaking issues (like arching in the end), that you can fix by paying more attention on them in your warmups and ghosting, in my opinion it's a well-done submission and I'll mark it as complete.

Next Steps:

Proceed to the 250 boxes challenge. If you'll follow the markmaking advice, you should improve it even more.

This community member feels the lesson should be marked as complete. In order for the student to receive their completion badge, this critique will need 2 agreements from other members of the community.
9:33 AM, Tuesday June 7th 2022

Thank you for the feedback, this is really helpful!

The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
The Science of Deciding What You Should Draw

The Science of Deciding What You Should Draw

Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"

It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.

This website uses cookies. You can read more about what we do with them, read our privacy policy.