Lesson 2: Contour Lines, Texture and Construction

9:42 PM, Saturday May 1st 2021

Draw A Box Lesson 2 - Official Critique Submission - Album on Imgur

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Here's my Lesson 2 official critque submission! Thanks to who reviews it.

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6:15 AM, Monday May 3rd 2021

I'll be the TA handling your Lesson 2 critique.

You're making progress towards understanding the concepts introduced in this lesson and hopefully this critique will help you in your future attempts.

  • Starting off in the arrows section your lines are looking smoothly and confidently drawn. There are spots where your arrows bulge/narrow suddenly, this is an issue because it gives the impression that your arrows are stretching which hurts their solidity. Remember that as our arrows move closer to the viewer we want them to widen consistently. It's good to see that you're trying to implement line weight, just remember that you want to keep your applications subtle and you'll become consistent with mileage. here are some things to look out for when applying it. At times you don't overlap your edges when you should, this results in your arrows flattening out as you can see here. I'd like you to experiment more with foreshortening in your future attempts, by utilizing it in both the arrows themselves as well as the negative space between their curves we can create a stronger illusion of an object moving through 3D space as demonstrated here.

  • Moving into the organic forms with contours exercise your forms are getting just a bit too complex but you're close. We want to create our forms with both ends being the same size and to avoid any pinching, bloating, or stretching along the form's length as discussed here. Some of your line work here shows a lack of confidence, remember that our first priority is that we want all of our linework/ellipses/contours to be drawn confidently and mileage will improve our accuracy. Speaking of contours I'd like you to try and shift the degree of your contours more. The degree of a contour line basically represents the orientation of that cross-section in space, relative to the viewer, and as we slide along the sausage form, the cross section is either going to open up (allowing us to see more of it) or turn away from the viewer (allowing us to see less), as shown here.

  • In the texture exercises you're focusing largely on outlines and negative space rather than cast shadows created by forms along the texture itself. This makes it difficult to create gradients with implied information which we could then use to create focal points in more complex pieces, by doing so we can prevent our viewers from being visually overwhelmed with too much detail. For more on the importance of focusing on cast shadows read here. I'd also like to quickly direct you to this image which shows that when we're working with thin line like textures if we outline and fill the shadow we will create a much more dynamic texture than simply drawing lines.

  • In the form intersections section you don't actually attempt to draw the intersections themselves, just high light some of the lines in the area.Your forms however are looking quite solid here and they believably appear to belong in the same cohesive 3D space, good work.

  • While wrapping up your submission with the organic intersections exercise you show that you need a bit more time becoming comfortable with thinking of how these forms interact in 3D space and how they'd wrap around one another. I recommend trying to stack your forms perpendicularly rather than trying to keep them headed in the same direction to help make wrapping them around one another a smoother task. Addressing issues in the previous organic form section will help you here and I'd like you to draw through all of your forms as well, doing so helps us develop our understanding of the 3D space we're trying to create. When drawing your shadows you don't push them far enough to cast, instead they mostly hug the form creating them, try pushing them further. It appears like your shadows aren't following a consistent light source, I recommend pushing your light source to the top left or right corner of the page to start with, it's easier than working with a light directly above your form pile.

I won't be moving you on to the next lesson just yet, each lesson builds upon each other and I'd like to make sure you understand a few of these concepts a bit more before potentially creating more problems down the road.

With that being said I'd like you to please re-read and complete:

  • 1 page of the organic forms with contours exercise

  • 1 page of the form intersections exercise

  • 1 page of the organic intersections exercise.

Once you've completed the pages mentioned above reply to this critique with a link to them, I'll go over them and address anything that needs to be worked on and once you've shown you're ready for the next lesson I'll move you on.

I look forward to seeing your work.

Next Steps:

Please re-read and complete:

  • 1 page of the organic forms with contours exercise

  • 1 page of the form intersections exercise

  • 1 page of the organic intersections exercise.

When finished, reply to this critique with your revisions.
5:53 PM, Wednesday May 26th 2021

https://imgur.com/a/JCpcPjd

Hello, hope these are better, thank you for the critique!

8:33 AM, Thursday May 27th 2021

These are a step in the right direction for sure, I'll be marking your submission as complete.

Keep practicing previous exercises as warm ups and good luck in lesson 3.

Next Steps:

Move on to lesson 3.

This critique marks this lesson as complete.
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