Hey Solveika!

Congrats on pulling through lesson 2! You should be proud of getting to the end of it, it's no easy task.

Let's begin...

THINKING IN 3D

Arrows

I LOVE your arrows. Really. They showcase your 3D thinking exquisitely- the use of lineweight, the crosshatching and the bold trajectories they follow. Brilliant work. You understood the purpose of this exercise thoroughly.

Organic forms/Sausages

And the brilliant work continues, most of your sausages are good for a few duds here and there. They vary in orientation and direction, and your contour lines follow and define the form spectacularly. Congrats, you understood this exercise too.

TEXTURES AND DETAIL

Texture Analysis

Good job on getting through this, it can be quite intimidating if you've never attempted textures before.

You've done a really good job on all 3 of your textures, but the 3rd one is missing the white bar on the far right. The texture should be slowly fading into nothing and this isn't happening on your mushroom texture.

Texture Dissections

Brilliant work here as well. Though i need to draw your attention to some of your textures- they don't wrap around the form this is especially evident on the ice cream cone or the cracked earth examples. It's an issue that repeats throughoutthis exercise. You do seem to wrap your textures on other examples so I wouldn't worry a lot. Just pay mind to it in the future.

CONSTRUCTION

Form intersections

All your forms feel solid and like they belong to the same scene. Good job keep that up.

The intersections are good, really good for a first introduction to the subject.

Check out Optimus's guide on intersections.

Organic intersections

So some of shadows aren't sticking to the form they're being casted on. It's not that common but it does happen here and there.

https://d15v304a6xpq4b.cloudfront.net/lesson_images/516f8d4f.jpg

Your line quality drops on this exercise. It's not that uncommon since this is a particularly though exercise but still. You should be confidently adding weight to your lines, not trace slowly. This issue seems to go away on your second page.

The whole drawings feel solid on the whole. Good job.

With all that said...