11:32 PM, Monday June 6th 2022
I am currently struggling with exactly the same problems as you describe. I have banged my head against this one exercise longer than the 250 box challenge now, felt like I was stupid, lost all motivation and am now dreading to pick up the pen to continue working on this course because it means I have to return to this texture stuff. The only reason I have not quit yet is that I set up multiple external systems like commitment devices that make me continue Allthough i procrastinate on this exercise as much as I can. I have developed an actual headache multiple times while trying to work on this and drawing feels like a punishment by now. I know all the „it‘s not supposed to look nice“ talk and the other advice, but as you pointed out, we know we CAN do this if we put the effort in and not putting in that effort feels like we are not doing it right. With the amount of struggle and absolute misery this exercise causes for me and apparently others, I want to point out three things about it, that massively bother me beyond that I feel too stupid to do the exercise by now:
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the instruction page mentions that there are problems with this exercise and lists a few things to keep in mind. The first of which is „do not outline your form“. Yet all the examples given below seem to outline the forms. So does the video. The video also shows gradiation on the sausage which none of the example results in the description does and so on and so forth. So that is the first problem For me: there is no clear target or example to show what to actually strive for. Every example given (written, picture, video, previous analysis exercise) tells us different, contradicting things about what to to. Why in the name of god do you leave the exercise in this state if you know it causes problems? Please be aware that you are actively causing suffering over extended periods of time with this (Weeks to months for some people) for something that seems like you want people to „just try out“ on the side. I am sure if someone is new to drawing that is what they will do. I was stupid enough to start and quit learning how to draw multiple times now however and got stuck in a place where I know what would be „correct“ and that I could get there, but doing so feels like torture by now.
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As you mentioned, the feedback on these exercises is a vague „focus on cast shadows and shilouettes“ but what that actually implies is that you draw the shadows without seeing/drawing the shapes first. Not only that but you have to draw them along a curved surface and imagine how the shapes you don‘t see affect the shadows. If one form casts a shadow onto another form, that shadow gets distorted or blocked from view entirely. That is not an easy concept to grasp, especially not for someone just starting out. You have to imagine the entire geometry in your head beforehand to do that (or analyse the texture to death, draw it a million times and gain enough understanding of the shape to improvise shapes of light and shadow as you go. Usually people draw the actual shape a lot for that though.) What is the point of hitting people over the head with so many new concepts at once, this early in the course? Which leads me to 3
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What is the point of having this exercise in here this early? All lessons carefully introduce one concept after another (draw straight lines, circles, 1 point, two point and three point perspective, etc) and gives you many exercises to solidify this knowledge. Then you get to texture and you are suddenly supposed to understand observational drawing, light and shadow, microstructure, form casting shadows on other forms on curved surfaces and a completely new technique to render something (cast shadows only). Why do you do this in lesson 2? When I first found drawabox years ago, this exercise is what always stopped me from attempting it myself. This makes it seem like the difficulty jumps like it has seen a tarantula spider all of a sudden and in my opinion is the main reason why people either never start drawabox or quit once they hit this exercise. For what exactly? Later in lesson three you begin to introduce this concept with the bumps on the cactus and it feels way more organic and in tune with the difficulty level.
This is NOT the same as lesson 1 with the rotated boxes that form a sphere. That is challenging, yes, but it uses the concepts introduced before and presents them to us in a challenging way. This texture exercise introduces several new concepts at once AND presents them in a mind bogglingly challenging way. If you want to keep this, why do you not introduce these concepts one at a time like before? The way it is, there is no point to this other than „produce crap results and feel miserable while doing so potentially for months“. This does not get me thinking about texture, this gets me thinking about quitting drawing for good but not before poking out my eyes with the pen first to prevent me from ever trying something so stupid ever again.
So in summary: Even for what it is supposed to be (get us to think about texture) I think this is confusingly described, introduces way too many concepts at once and hits students over the head way too early. Say „only draw to the best of your ability“ all you want that doesn’t make anything better because that is what I am trying right now. It is horrible and nothing killed the joy in drawing for me more than this exercise.