Lines:
It looks like the starting points of your lines start to fray more and more the further down the page you get- The first few lines (near what I'm assuming is the top of the page, where you started) have normal fraying at the end, but further down I get the sense that it was a bit more rushed.
Ellipses:
A lot of these ellipses aren't drawn through a full two times, especially the ones drawn on the ghosted planes. It also looks like the smaller ellipses are drawn through more times than the larger ones.
Boxes:
I'm jealous of your rotated boxes exercise, mine is a mess! The rough perspective exercise looks like it has quite a few wobbly lines, When I got to this point I felt like I was rushing through some things and not ghosting my lines as thoroughly as I should be.
Next Steps:
Great start with Lesson 1! It looks like moving onto the 250 box challenge (and focusing on ghosting lines and consistently making confident strokes) is a great next step.
Thank you so much bearnadetta for critiquing my work.
I totally agreee with your points definitly on the rushing part
Your review was straightfoward and accurate and i really appreciate your help!
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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