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12:20 AM, Friday January 15th 2021

Overall these are looking much better, though there were a few issues I caught that I do want you to keep in mind - for example, the importance of never jumping into too much complexity without the appropriate underlying structure to support it. this comes up with some of your more complex leaf structures, as highlighted here. On the bottom left, I'm also rather confused as to why there appears to be two different kinds of leaves existing together, one stamped on the other.

Aside from that, the rest is coming along well. I'll go ahead and mark this lesson as complete.

Next Steps:

Move onto lesson 4.

This critique marks this lesson as complete.
1:31 AM, Friday January 15th 2021

OH. Yeah I know why, I misunderstood/misinterpreted something in the original lesson that I now understand better looking at the link you just provided. Thanks again for the feedback, it's been very helpful.

The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something I've used myself. If you're interested, here is a full list.
The Art of Brom

The Art of Brom

Here we're getting into the subjective - Gerald Brom is one of my favourite artists (and a pretty fantastic novelist!). That said, if I recommended art books just for the beautiful images contained therein, my list of recommendations would be miles long.

The reason this book is close to my heart is because of its introduction, where Brom goes explains in detail just how he went from being an army brat to one of the most highly respected dark fantasy artists in the world today. I believe that one's work is flavoured by their life's experiences, and discovering the roots from which other artists hail can help give one perspective on their own beginnings, and perhaps their eventual destination as well.

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