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When it comes to the marks you draw, there are three overarching rules:
Marks should be continuous and unbroken
Marks should flow smoothly
Marks must maintain a consistent trajectory
Let's look at each of these in more detail.
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This essentially means that every line we draw should consist of a single mark. Beginners, due to their heavy reliance on drawing from their wrist, tend to make very short marks. When they want to achieve a longer stroke, they'll draw a lot of overlapping marks, building that line up gradually in what is known as "chicken scratching".
In other cases, students may find situations where they want to represent certain lines in dashed or dotted lines (for example, if we're drawing "through" a box, as though we have x-ray vision, we may draw the edges on the opposite side of the form in such a way).
Neither of these strategies should be employed during this course. Every drawing here is an exercise, and one of the overarching goals is to help train you to be more confident and purposeful in your marks. This means executing every line in a single, intentional stroke.
Some students do ask, "I see other artists using chicken-scratch when they sketch, why can't I?" It's an entirely fair question. The answer comes in two parts:
Firstly, there's a difference between what a student who simply doesn't know how to make marks any other way "chicken scratches" - where it's erratic, unplanned, and poorly thought out, and what a trained artist will do. An artist who does so out of choice will generally show far more intent and control behind their marks, and when they need to make longer, more fluid marks, they will be capable of doing so.
Secondly, as mentioned above, every drawing we do in this course is an exercise. In this case, we're specifically training you to think through your marks, to execute them purposefully, so you can gain the level of control and forethought that other artists exhibit. When you draw for yourself, you're welcome to do so however you want - but the habits you learn here will, gradually, bleed into how you approach drawing in general.
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The act of drawing a line has two main challenges:
We want to draw our lines to be accurate
We want to draw our lines to be smooth
Beginners often prioritize accuracy first, thinking that it's more important that their lines reach their intended points - but this is incorrect. The most important thing you need to focus on first is keeping your marks smooth and consistent.
The reason is simple: we can generally execute pretty smooth marks now, by simply changing the way in which we approach the task. If we draw as confidently as we can, without concern for where we want the line to fall, our marks will always come out smoothly - just not accurately.
Smooth flow is something we achieve by the approach we employ. Accuracy on the other hand is something that will improve with practice. Nail down your confident stroke now, from your shoulder, and as you practice it, your accuracy will catch up as well.
If you do the opposite, focusing on accuracy now, it will be vastly more difficult to make those marks smooth with practice. It may work eventually, but I wouldn't want to wait around to find out.
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There are a lot of situations where you want to capture something that has a repeating pattern. When doing so, don't attempt to capture it all at once. Instead of zigzagging back and forth and repeating the same pattern, break it up into separate strokes, each one with a single purposeful trajectory.
When dealing with a smoother wave, it's often better to start with a smooth line, and then build individual "bumps" onto it. We'll use this quite a bit in Lesson 3, when we draw the wavy edge detail on leaves.
When drawing something more jagged, like fur, it's important that you purposely design the tufts of fur, making a stroke to go up, a stroke to come back down again, another going up once more, and so on. This allows us to be intentional in how we make the marks.
Zigzagging back and forth, on the other hand, will cause us to go into auto-pilot, as all repeating patterns tend to. This will result in the same, boring, flat outcome that will lose all sense of character and intentional control. Avoid it wherever you can.
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
Having your work reviewed by others is critical, as those who are just starting out aren't in a position to properly judge their own work, and won't be for quite some time. Don't be afraid to show your struggles - it's by analyzing your mistakes that we can help you grow. Perfect homework is not what we're looking for; we just need it to be complete.
There are currently two places you can get your work critiqued by the community - Reddit and our Discord Chat Server.
Both of these are completely free.
If you are interested in receiving extra help, I critique the work of those who support Drawabox on Patreon.
All of these private critiques are done through reddit, in specific threads where students post their work as a comment, including a link to their work (often hosted on Imgur, though most image hosts are okay).
My requirements are more strict than the free community critiques:
The minimum pledge for this lesson is $5.00/month. The orange button above will take you to the reddit thread for this lesson, you can post a link to your work there and I'll be notified. Once I catch the submission, I'll add it to this backlog spreadsheet.
Pledges are collected at the beginning of the following month, but you may start submitting your work immediately. If you're a new patron, I'll be reaching out to your shortly to collect your reddit username.
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