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Having trouble coming up with something to draw? No worries - while you'll eventually learn how to start from a tiny seed of a thought and gradually nurture it into a complex concept to explore through design and illustration, it's perfectly fine not to be there just yet.
For now though, here's an idea that might interest you.
Serious Situation but it's Muppets
"May I be damned!" cried Ivan as he cradled his son, whose glass eyes had already glazed over in unconsciousness. Blood trickled falteringly from the wound at his scalp, soaking into the fleece of his skin. Ivan's soft, bulbous nose pressed his heir's damp brow, the gravity of his crime dawning upon him. In his arms, the future of his kingdom sagged limply, for he was a puppet and had no bones.
There are few paintings as sobering as Ilya Repin's "Ivan the Terrible and his Son Ivan," with that hauntingly empty stare, the utter awareness of what he has done, and that it can never be undone. But ask yourself this one question: What if they were muppets?
Choose or devise a serious event, but replace some or all of its characters with muppets. Whether you want to lean towards the juxtaposition of serious and absurd, or keep it all buttoned up and as serious as possible, the choice is entirely in your soft, puppet hands.
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This one isn't doing it for you? How about this one instead: A Reversal of Fear >>>
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The Science of Deciding What You Should Draw
Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"
It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.