Drawabox.com | Drawing Prompts | Junkyard Symphony
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Having trouble coming up with something to draw? No worries - while you'll eventually learn how to start from a tiny seed of a thought and gradually nurture it into a complex concept to explore through design and illustration, it's perfectly fine not to be there just yet.

For now though, here's an idea that might interest you.

Junkyard Symphony

When I was a kid, this group named "Junkyard Symphony" would come to our school and perform for us - they'd grab a bunch of random garbage and out of it, would create the most complex, intriguing musical pieces (at least to my eight year old brain). Today, we'll do the same - though fortunately, ours don't have to work, and nor do they have to be played in front of an audience.

Design an instrument using the kinds of objects you'd find in a junkyard. Everyday things, forgotten things, one man's trash is another man's treasure. You may want to start with an existing instrument and figure out how to swap out its tailor-made components for whatever scrap you can find, or create something entirely new.

This one isn't doing it for you? How about this one instead: Reboot Reboot >>>
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Rapid Viz

Rapid Viz

Rapid Viz is a book after mine own heart, and exists very much in the same spirit of the concepts that inspired Drawabox. It's all about getting your ideas down on the page, doing so quickly and clearly, so as to communicate them to others. These skills are not only critical in design, but also in the myriad of technical and STEM fields that can really benefit from having someone who can facilitate getting one person's idea across to another.

Where Drawabox focuses on developing underlying spatial thinking skills to help facilitate that kind of communication, Rapid Viz's quick and dirty approach can help students loosen up and really move past the irrelevant matters of being "perfect" or "correct", and focus instead on getting your ideas from your brain, onto the page, and into someone else's brain as efficiently as possible.

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