1:02 AM, Wednesday September 21st 2022

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are having some slight issues with tilting off the minor axis. https://drawabox.com/lesson/1/14/notaligned This is something you should always start considering when drawing your ellipses. One thing you could have done with these is start with a narrower degree ellipse in the center and then widen the degrees of the ellipses as they move outwards in the funnel. Please check the example here. https://drawabox.com/lesson/1/14/step3 This helps with practicing different degrees of ellipses. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty good. It's great that you are keeping up with the confident linework on these. You are also doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.

Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. Your rotations here are pretty slight overall, which is perfectly fine given the difficulty of this exercise. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking really good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are quite solid for the most part and you are showing a good understanding of how box lines converge to vps. Nice work.

Overall this was a really solid submission that showed a nice deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
6:36 AM, Wednesday September 21st 2022

Thank you Rob, I really appreciate these critiques and will keep them in mind as I continue forward.

6:54 AM, Wednesday September 21st 2022

(Notes for myself to keep in mind)

  • smooth ellipses over accuracy but accuracy is our end goal, it will come with mileage and consistent practice.
  • Your ellipses in funnels are having some slight issues with tilting off the minor axis. https://drawabox.com/lesson/1/14/notaligned This is something you should always start considering when drawing your ellipses. One thing you could have done with these is start with a narrower degree ellipse in the center and then widen the degrees of the ellipses as they move outwards in the funnel. Please check the example here. https://drawabox.com/lesson/1/14/step3 This helps with practicing different degrees of ellipses.
  • There's still room for improvement so keep practicing your ellipses during your warmups.

  • Drawing big helps when dealing with complex spatial problems.

  • Your rotations were pretty slight overall for the rotated boxes exercise, The more you draw and develop your spatial thinking ability the easier these rotations are to handle.

  • Come back to this exercise after a few lessons to see how much your spatial thinking ability has improved. https://drawabox.com/lesson/1/rotatedboxes

  • For rough perspective exercises keep extending the lines back on your boxes to check your work. Your perspective estimations were quite off but that will become more intuitive with practice.

  • One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.
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Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

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