Anyone here complete the course in pencil?
8:24 PM, Sunday July 16th 2023
I have read the articles on the reasoning for choosing ink, and none of it applies to me. I have no fear of making incorrect lines, they just motivate me to do better. I basically have no drawing history, so there's no urge to sketch light lines, no bad habits have been trained in. I just used a B pencil with a dull tip on the ghosted planes exercise and the lines are bold and dark and even. It is not hard to maintain the same pressure, especially with a slightly dull tip. The bit on pressure control makes sense, but pencils provide the same training if you are focused on making a bold line. I have already decided to do the whole course in pencil, just curious if others have done the same. Not concerned with the evaluations, I can tell when it sucks, he does a very good job of explaining what is right or wrong in the exercise.
I'm approaching this as a hobbyist and this course is built to take us far higher than I ever expected to be, even a lesser version of it will delight me with the results. I'm already very pleased with the progress in my line making, getting more level 3 strokes every time I practice and almost no wobbly lines now, that is crazy fast improvement already, so happy. I LOVE the homework so far, can hardly wait for the 250 box challenge, gonna be so fun.
Also going to wait until the end of lesson 2 or 3 for the 50% rule. I disagree with his reasoning for it completely, it only applies if fear is the reason you don't want to free draw. That's not me, I just don't enjoy doing things I don't know how to do. I want some fundamentals to play with. It is also bonkers to me to not use the technical skills learned in the course on the free drawing, that is the entire point for me, to gain technical skills to be able to accurately draw the stuff I see around me and in my head. I do not know how to do that yet, so unstructured drawing is not fun. When I learned to juggle devil sticks, every fundamental I learned expanded my capacity for play. Same here. But yeah, if fear is a major barrier, totally makes sense to force yourself past that with dedicated free drawing right from the beginning. I wish he wasn't quite so in love with rules, some small elements of the course should be more about guidance than a hardset rule. Makes sense for most of the course structure, but some of the stuff is specific to the mindset he had in his journey and makes no sense for other people. Mostly the pen-only and 50% rule, those really don't make sense for everyone if a few additional guidelines are given. The better way would be to make the quality of line part of the evaluation process. If someone drew shitty light lines with a pencil, don't pass their effort, or pass it but let them know that line sucked and why, depends on how rampant the low quality lines are. If they clearly didn't listen to the directions for how things should look, don't pass them. But if someone uses pencil or crayon and doesn't make any of the potential errors, then there is no sense in not passing them. Let people know you think that path is worse, but if they do a good enough job on the work, then that is all that matters. He did such a great job explaining the potential pitfalls, seems weird to me to not allow some wiggle room there, except the no-digital rule, that makes perfect sense to me. Thanks for any thoughts on all this. Be well, Ben