Starting with your arrows, these are flowing very confidently - though don't forget that the spacing between the zigzagging sections should be shrinking as we look farther back, as perspective compresses both the size of objects themselves, and the distances between them. That fluidity carries over quite well into your leaves, where you draw them with a strong sense of not only how they sit in space, but also how they move through the space they occupy.

I'm also very pleased to see that you're doing a great job of building up those structures with full respect of the previous phases of construction. That is, when you add jagged or wavy edges to your leaves, you adhere them right to the simpler curve that was there previously, building that detail onto it rather than attempting to replace it with a new line. This helps retain the overall solidity of the structure, and keeps the leaf from getting stiff.

Continuing onto the branches exercise, I am seeing a number of places where you're not starting your next segment at the previous ellipse, resulting in less of an overlap between the segments than there should be. As you can see here, the overlap between the segments, and using that previous one as a runway for the next, helps ensure that we transition from one to the next seamlessly. Be sure to focus more on that in the future.

Moving onto your plant constructions, for the most part you've done a pretty good job. I do however think that in some cases you're not quite pushing what you learned from the leaf exercise, and as a result some of the leaves in your constructions feel a little more stiff than they otherwise could. What I mean by this is the importance of the first steep - the establishing of the flow line, which captures how the leaf flows through the world. Looking at this early one, it feels like you didn't necessarily think as much about how those flow lines were to move through space, and in this later drawing you appear to have skipped them entirely.

An additional point about that later aloe plant, you've got them all sprouting from the exact same point in the middle of your plant - I suspect that physically they probably aren't arranged quite like this. Try to observe your reference a little more carefully.

For the vase at the base of this one, a couple simple things - firstly, be sure to draw through your ellipses in their entirety. It seems that throughout this entire drawing, you forgot about that rule from Lesson 1. Secondly, for the opening of the vase, you've only got one ellipse giving the impression that the container is paper-thin. Instead, place another ellipse inside of it to define thickness for the form.

For your morel mushroom drawing, I'm not sure if you've seen this but I figured I'd show it to you just in case - I actually have a rather detailed demo of how to tackle this kind of complex mushroom here.

All in all I think you understand the concepts covered in this lesson quite well. What stands out most is that I don't think you're necessarily applying as much patience and care with each drawing as you could, and you leave them at far more simplified states. You're getting there, I just don't think you're pushing yourself or demanding enough of yourself, instead stopping early with the core construction in place, but with more secondary elements that can be built up. Studying your reference more closely to find all those extraneous elements is important, especially as you move forwards.

I am going to mark this lesson as complete, but I want you to take greater care with every single mark you draw, thinking about the specific job each mark is to perform, and how you can facilitate that. Additionally, if there are any additional objects included, like flower pots or vases, use as much care and focus on them as you would for anything else. Just because they're not within the specific lens of this lesson doesn't mean that they should be deemed less important as part of the drawing.