Starting with your arrows, you're doing a great job of drawing these with a great deal of confidence, which really helps to sell the illusion that they're pushing through all three dimensions of space with a great deal of fluidity. One thing though - I'm assuming that you've got a lot of separating strokes because you're trying to apply line weight more arbitrarily, reinforcing the entirety of the structure. While you're correct to execute those line weight marks with confidence, it's generally best to focus specifically on clarifying the overlaps between your forms - specifically placing the line weight in the localized areas where those overlaps occur, as demonstrated here.

Continuing onto your leaves, that sense of confidence and fluidity carries over quite well here. You've done a great job of capturing not only how they sit statically in 3D space, but also how they move through the space they occupy. I do have a couple points to mention in regards to how you're approaching edge detail (in the cases that you do):

• Overall you're doing well - in terms of building most of your edge detail up with individual marks establishing each "bump", but there are cases like what we see here where you attempt to tackle more complexity in one go, rather than building it up step by step, as shown here.

• It's important that we take care to ensure that each edge detail mark rises off and returns to the existing structure's edge as smoothly and seamlessly as we can manage. What we want to avoid are little signs showing that we're looking at a series of separate marks, as we do here (note how we can clearly see the end of each stroke sticking out from the previous step's edge a little). It's a pretty small thing, but taking a bit more time to avoid those little visible tails, undershoots, overshoots, or even gaps can make a big difference. That said, a more important suggestion might simply be to draw your leaves larger on the page, which will make it easier to engage your whole arm when drawing these smaller marks. The more you get used to doing it at a larger scale, the easier it'll be to engage your shoulder for smaller ones.

Moving onto your branches, I feel the last point I offered in regards to your leaves - to draw bigger - will help a good bit here as well, again to help you engage your whole arm from the shoulder. I'm also noticing that you're not consistently drawing through your ellipses two full times before lifting your pen.

As far as the exercise itself goes, it seems you're not entirely consistent in applying the instructions outlined here. As mentioned there, each segment should start from one ellipse, continue past the second and stop halfway to the third. The next segment then repeats the pattern starting from the second ellipse, allowing for a healthy overlap between them which in turn helps us to achieve a smoother, more seamless transition from one to the next. Throughout your work however, I can see numerous cases where you didn't break the edge segments into separate parts at all, and others where you fell quite short of extending a given edge segment fully halfway to the next ellipse.

Despite that wrong turn, your plant constructions that follow are by and large really well done. I have a couple points to call out, but as a whole you're applying the principles from the lesson well. Here's what to keep an eye on:

• When constructing your cylindrical flower pots, be sure to construct them around a central minor axis line to help in the alignment of your ellipses, and do not merely stop at establishing a basic cylinder. Flesh out the entire structure, with as many ellipses as you require to do so - at minimum including another ellipse inset within the opening to establish the thickness of the rim, and another to establish the level of the soil so the plant itself has something to intersect with.

• When building up the edge detail on these petals you are a little prone to zigzagging back and forth across the existing edge - which is explained in these notes as something to avoid.

Now while I would normally ask for revisions for the branches, there's enough there that suggests to me this is something you can tackle on your own by simply going back and taking a closer look at those instructions when you next practice this exercise. So, I'll go ahead and mark this lesson as complete.