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2:57 PM, Monday July 21st 2025

Overall these are better, but there are still a few points I want to call out where you are not quite applying everything you know and understand regarding the concepts covered in the course as well as you could be.

  • To start, I can see that despite the points I raised before, you don't appear to have made much in the way of attempts to approach texture using implicit markmaking, cast shadows, etc. and continue to use those filled areas to represent form shading. While I noticed some areas that could be construed as an attempt at drawing cast shadows, like what we're seeing here, it lacks clearly defined shadow shapes due to not following the methodology raised in the reminders I linked you to previously. This does suggest that you may not have taken enough time to go through the feedback that was provided, or the sections of the lesson material that were referenced there, in order to apply them in a concerted and intentional manner.

  • While your approach to structure is much better than before, there are still areas where you're skipping steps - although it's not always consistent. For example, your approach here involved defining a cylindrical ring in the center of the spokes, and then box structures extending out from them. Conversely, many others (like is one) skip establishing a simpler cylindrical structure in the center and instead jump straight to having the spokes extend out of it as a singular form.

I will be marking this challenge as complete, as you've moved in the right direction in terms of the main issue I wanted addressed, and because texture is not a basis upon which I generally assign revisions for this challenge, but this definitely suggests that you need to reconsider how you're approaching going through the feedback you receive, and reviewing the material that is brought to your attention.

When it comes to avoiding going into autopilot, while things like flipping your references can help in some ways, ultimately the main thing is going to be working through a given task more slowly, and consciously giving yourself the opportunity to make decisions in between actions. But of course, that is a habit that is developed over time with continuous pushback every time you catch yourself slipping into auto-pilot, so it's not just a switch we can flip.

Next Steps:

Review the sections I linked you to previously, then move onto Lesson 7.

This critique marks this lesson as complete.
4:51 PM, Monday July 21st 2025

I understand,since I've started the course I've always struggle with texture,because of that lesson 2 was by far the hardest lesson for me,my texture is something that is always pointed out as I am doing it wrong, I went trough material several times already and don't know what to do anymore. Do you perhaps recommend doing 25 texture challenge before going into lesson 7.I wanted do it after I've finished Lesson 7 but now I am wondering if I should do it before.Also should I do more of intersectional exercises (organic intersection,form intersection) as a warm up to fix structural issues while doing lesson 7 ?

3:44 PM, Tuesday July 22nd 2025
edited at 3:52 PM, Jul 22nd 2025

One thing to keep in mind is that you're not struggling with it if you avoid it. Struggle is a key part of learning, but that involves attempting to tackle it per the instructions (so for example, ensuring that you're designing intentional shadow shapes with their outlines first, before filling them in, rather than timidly putting down a few vague marks without specific intent). So make sure that you're not actively avoiding tackling things that you struggle with, as that is the purpose of all we do here.

As to the texture challenge, I think waiting until after Lesson 7 is fine, but if you do start at it prior to Lesson 7, the thing to keep in mind is that it is not something you should be doing all at once, unlike the box/cylinder/wheel challenges. It is something you do spread out over a long period of time, which is why in the brief material discussing it, we recommend doing it in parallel with the other lessons. This leaves plenty of room for your brain to ruminate over what little things you subconsciously pick up on from attempt to attempt, and combining them with the other spatial reasoning concepts you learn through the constructional drawings. Since Lesson 7 is pretty long and arduous, starting on it now should still give you a fair bit of room to get that kind of spacing, but if you do it after Lesson 7, be sure not to try and tackle it all at once.

In regards to doing the form intersections and organic intersections, form intersections do come up as part of Lesson 7 as well, but given that your warmups (per Lesson 0) would involve picking exercises at random from the pool of exercises you've gathered throughout the course, then I would have expected them to come up now and again there. There shouldn't be any requirement to focus your warmups specifically on them, and that would undermine other exercises that also require continued attention.

The structural issues in your wheels however are not an issue of understanding or an absence of skill. It's an absence of patience, and a tendency to act without thinking. No specific exercise is going to address this, but rather continually pushing yourself to take as much time as a task requires, and not pushing yourself to complete tasks on arbitrary timelines (allowing yourself to spread them across multiple sessions as needed) and making a point of catching yourself and reinforcing that need for patience each time you catch yourself rushing is what will help.

It's not an easy thing, especially if you're prone to giving up control of your actions to your subconscious, but that is something we talk about here in Lesson 0's material - more in the context of those students who struggle with the 50% rule, but the concept is ultimately the same. In you, is effectively a muscle that grows stronger the more you consciously exert control over your actions and choices, and grows weaker the more you abdicate that responsibility to your subconscious and instincts. In the context of the 50% rule, it being weaker can cause the anxieties associated with drawing the things that come into our mind, and having them turn out badly due to a lack of skill, to overwhelm us and create mental blocks that stop us from trying. In the context of the lesson work, where we must be hyper-intentional about the choices we make so that we can push new behaviours down into that subconscious, it causes us to slip back into relying on that auto-pilot more frequently. But the more you push back against it, the more you catch yourself as it happens, the more you strengthen that muscle and the easier it becomes. Entirely like lifting weights, that which starts off difficult and that may seem impossible, becomes easier and comes closer within your reach.

edited at 3:52 PM, Jul 22nd 2025
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