Remember; horizontal lines must run parallel to the horizon line, and verticles must run perpendicular to it. Try rotating your page based on what's comfortable for your shoulders and back, see if that helps.
Next Steps:
You are getting close! Continue to review the Rough Perspective homework exercise. Pay close attention to how your boxes are rotating against the horizon line.
Line up the bottoms of your boxes with the same direction as the horizon line. Focus on how your boxes rotate as you ghost your lines before you put down a mark.
Next Steps:
If at first you don't succeed, try again.
Thanks for still keeping up with me lol, hopefully this gets through.
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I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
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