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9:55 PM, Tuesday March 21st 2023

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are having some issues with tilting off the minor axis. https://drawabox.com/lesson/1/14/notaligned This is something you should always start considering when drawing your ellipses. Your ellipses are looking good overall and I'm not seeing any real issues here. Nice work.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty good. It's great that you are keeping up with the confident linework on these. You are also doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.

Your rotated box exercise turned out pretty well. One thing that would have helped you here would have been to just draw this a bit bigger overall. Drawing bigger really helps when dealing with complex spatial problems. You did a good job drawing through your boxes and keeping your gaps narrow and consistent. While the rotations here aren't perfect this was a good effort overall. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are solid for the most part and you seem to be developing a good sense for how box lines converge to vps. Nice work!

Overall this was a really well done submission that showed a nice deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
10:17 PM, Tuesday March 21st 2023

Thank you so much for the critique Rob. Although this is my second time doing Lesson 1 due to me wanting official critique so I understood the concepts a bit the first time. But it's great for me to learn more about them. Hopefully the 250 box challenge doesn't take me as long as the last time I did it. Again, thank you!

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Printer Paper

Printer Paper

Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.

As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.

Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).

Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.

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