I mean, when I'm studying I really want to reproduce everything I read or watch, but it will not be always the case. Sometimes I will need to try many many times, read and watch again. But since I'm learning more everytime, I'm not stuck - even if the result I predicted is still not reached.
The portrait I tried: it's not a commission, there is no deadline, it's ok it went wrong.
It's like I want? No. But I'm better than before. That's what matter
Yes, you are absolutely right.
After analysing the problems with my both progress and process is the FEAR OF DRAWING BAD !!!!
Even though I have watched drawabox video about mindset and other videos and so countless times, I still find myself strucking right into this monster.
The fear was so overwhelm that it almost made me quit art few months ago
This fear even knocks on door even when I am doing 50 percent drawing. I find that it has adversely affected the drawing I had done even if they were for fun.
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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