Partial Lesson 1 Submission (1 / 10 exercises)
3:39 AM, Monday July 31st 2023
Old one
1) I'll address the first problem as I'm still seeing wobbling. Wobbling is (usually) from your eye/brain trying to correct the line while in flight. Try drawing your lines a little faster - you can slow it down later when you have more control over the line trajectory.
2) You didnt place dots for every line, on every plane. Take your time, place your dots, and then ghost/draw your lines. Dont forget to rotate your paper so the motion you are drawing wis the same for each line. This is what builds muscle memory.
3) Ellipses -- Your top left is pretty confident and smooth, although you didn't manage to draw it through 2 -- We are supposed to draw through our ellipses between 2x and 3x.
I'll be asking for a single page of ghosted planes, and then add the ellipses in those planes (picture of ghosted picture of ellipses in planes). Pack your planes on the page similar to the example homework and directions https://drawabox.com/lesson/1/15/example
and keep all your dots small.
edit: don't try and deform the ellipses to fit. smooth and confident regardless of if you hit the side lines of the plane.
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
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