250 Box Challenge
9:09 PM, Saturday April 30th 2022
I did most of the boxes on 18x24 inch Newsprint
I had a hard time with certain angles
Hi there, I'll be handling your box challenge critique.
Congratulations on completing the box challenge, it's definitely a lot more work than most people expect. Not only does it help deepen your understanding of important concepts but it shows your desire to learn as well. Be proud of what you've accomplished and that desire you've shown. That being said I'll try to keep this critique fairly brief so you can get working on the next steps as soon as possible.
Things you did well:
Your construction lines are looking smooth and confidently drawn.
It's good to see that you're taking the time to plan and evenly space your hatching lines. This helps keep your boxes tidy and makes them look more solid.
Line weight isn't a requirement of the challenge so it's nice to see you're applying it anyways. Most people need to build up some mileage before they feel comfortable applying it so I always recommend starting early. The sooner you feel comfortable the sooner you see better results.
You're doing a great job of experimenting with orientations, proportions and rates of foreshortening. Experimenting is an important habit to build when learning any new skill, it helps form a more well rounded understanding. I hope you'll continue to display and nurture this habit in the future.
Things you can work on:
The key things we want to remember from this exercise are that our lines should always converge as a set not in pairs, never diverge from the vanishing point and due to perspective they won't be completely parallel.
Overall while you did make a few mistakes your boxes are improving so far and with more mileage you'll continue to become more consistent. That being said I'll be marking your submission as complete and move you on to lesson 2.
Keep practicing previous exercises and boxes as warm ups, and good luck.
Next Steps:
Move on to lesson 2.
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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