Hi, and welcome! On first glance, this looks like a great submission. Let’s take it one exercise at a time, to see if we can find anything worth improving.

Starting with your superimposed lines, these look fantastic. They’re smooth, properly lined up at the start, and of a consistent trajectory. The ghosted lines/planes look quite good, too, and I’m glad to see that the only issue I noticed, the overshooting issue, is fully fixed by the end of this submission.

The table of ellipses exercise looks solid. They’ll occasionally start off a little stiff, before stabilizing in their second or third rotations, but, for the most part, they’re smooth, and rounded. For that reason, I’ll recommend to sticking to 2 rotations from now on, if you can. The ellipses in planes exercise looks great- they do a good job of maintaining their roundness, despite having to touch all 4 sides of the plane. That aspect of them looks good, too, though the extra thing to think about has made their rotations a little less likely to match up. This is not surprising, of course, but see if some extra time spent ghosting fixes it. If not, no worries- mileage will. Finally, nice job on the funnels exercise. The ellipses are snug, and properly cut in half by the minor axis. I’d recommend using some sort of tool for the arcing lines (a plate, for instance), and drawing the minor axis last, to give it its best chance to be equidistant from them. Also, spend a little longer on the edge-most ellipses if you can, since those are by far the weakest. Don’t forget to rotate your page as necessary when ghosting.

The plotted perspective exercise looks clean- nicely done. The rough perspective exercise looks great. Your linework is confident, and you’ve been careful to keep 2 sets of lines at infinity, as per the instructions. The one set that should converge does so quite comfortably, too, though there’s the occasional line that goes nowhere near the VP. I notice that you’re already taking your time with each point, checking it and re-checking it to make sure that it’s correct. To push things a step further, simply do that more. The success rate of this exercise is entirely dependent on the amount of time spent planning. Solid job on the rotated boxes exercise. It’s big, the boxes are snug, and, as a result, rotate nicely. I appreciate the addition of lineweight/hatching, too- it really cleans it up. Finally, the organic perspective exercise looks great. You’ve got some interesting compositions here, and the boxes themselves are solid, too. Their consistent, shallow foreshortening, and increase in size do a great job of communicating their flow. In regards to lineweight, I’ll remind you that it’s to be applied subtly (a single superimposed line is enough, usually), and locally (to the part of the box that’s overlapping another, and no more.) This isn’t a huge issue, really, but I noticed that this aspect of it was a little inconsistent.

Overall, this is a great submission. Congrats, and feel free to move on to the next one.