Again, thank you for the review!
Welp, I forgot to upload the 2nd page of Superimposed Lines :p
Early on, I struggled with finding my correct ghosting 'speed', as in how fast should I trace the lines to be confident AND accurate. Now I kinda understand the emphasis on confidence compared to accuracy.
Didn't realize that redo-ing lines is bad, will take note of that.
[Edit: yes I scanned them; hard to find a good lighting for a photo here]
its important to fix those small bad habits early, so that later you don't have those problems :)
Alright this is the redo for Ghosted Planes exercises!
And this is one is the one that I forgot to send before :P
(P.S: I'm replying here cuz I don't want the reply chain getting too deep :)
the ghosted planes are much better :)
I just realized that doing all of the redos will take a long time. Is it okay if I send each exercise when I finish them, rather than sending them all at once at the end?
sure
Here's my Table of Ellipses redo!
This one somehow felt worse that before, though you would be a better judge for that.
I think you understood the concept perfectly, your exceution is decent, do it as a warmup if you want
Finally, here's my Rough Perspective redo! Sorry for the late reply though.
these are done really well
i think you are ready for the 250 box challenge, good job and good luck
Next Steps:
250 box challenge
Remember that when you agree with something another user has written, you are putting your own reputation behind it.
Consider the following:
Agreeing blindly just to be nice is a good way to get your permissions associated with this function revoked, so make sure that you genuinely feel that the response is beneficial to the student.
Michael Hampton is one of my favourite figure drawing teachers, specifically because of how he approaches things from a basis of structure, which as you have probably noted from Drawabox, is a big priority for me. Gesture however is the opposite of structure however - they both exist at opposite ends of a spectrum, where structure promotes solidity and structure (and can on its own result in stiffness and rigidity), gesture focuses on motion and fluidity, which can result in things that are ephemeral, not quite feeling solid and stable.
With structure and spatial reasoning in his very bones, he still provides an excellent exploration of gesture, but in a visual language in something that we here appreciate greatly, and that's not something you can find everywhere.
We use cookies in conjunction with Google Analytics to anonymously track how our website is used.
This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.
You can read more about what we do with them, read our privacy policy.
