Hello Marym, congrats on completing lesson 5! Here are the comments I have to make;

organic intersections

Remember to wrap the sausage forms around eachother. Since all of your sausage forms are curved, overlayed forms will curve as well. You did this well in the second pile with the top middle sausage. An example of this not being done so well is the one on top on the first page- it looks a little flat as it does not appear to curve around the existing sausages.

animals

Be careful with the marks you make! I can see that, in your second wolf drawing, the circles that you've drawn have been gone over many times. try to only go over them 2-3 times (as explained previously in the course), as you don't want to clutter your page up with too many marks that don't serve a purpose. Going around a cirlce or sphere 2-3 times is a good amount to make sure you get something that is both solid, usable, and clear.

In your first bear, it looks like the form you've added on top of its backside is flat. I don't know what your original reference image was, but I want you to remember that a form's silhouette is really really important. Because this additional form matches the silhouette of the underlying form, it appears to be flatter than what I assume you were intending it to be. This problem does not persist in the second bear.

When you don't rely on lines to define a form's solidity, you need to make sure that it's silhouette does all of the heavy lifting. For example, in your first donkey, the hooves' silhouettes do not imply the existence of different faces on the hoof. The front one has a line that seperates the front and side face, making that one look more 3-D than the back one, which only looks like it is 2-D. In cases like this, you have to make sure the silhouette of the form tells the viewer that the form is 3-D by thinking about how the hoof itself is 3-D. This applies to whether or not you choose to add any contour lines.

In regards to your second bull, make sure to make any additional forms follow the contour of the form that it comes from. If you add a footprint for the form (which is what I've assumed you've done for the animal's muzzle), make sure it too follows the base form's contour. In this case, the base form is a sphere, so the intersection between the muzzle and the head should be rounded, not straight and rigid. You did this well with your eye socket cuts.

When drawing something from above (like your frog), it might help to add a center line (like in lesson 4) to help orient your construction, especially since the animal itself is small. I'm saying this because some of the additional masses on the frog's back look like they build up on one side more than the other (I may be wrong as I don't have access to your original reference image).

For your hybrid, I want to point out that you haven't drawn in contour curves to mark where your legs intersect with the hybrid's body. These curves add a good deal of clarity, and are good to use when trying to understand how the creature is constructed. Also, remember not to go over lines too much as sort-of "cleanup passes"- the scorpion tail looks like it's been gone over multiple times. For Drawabox purposes, we only go over these lines to visually organize something that we make.

All-in-all, I feel as if you well understand the material in this lesson, and I think you're ready to move on. Just remember to keep your forms' 3-dimensional quirks in mind when you draw them.