250 Box Challenge

2:19 AM, Thursday April 29th 2021

250 boxes - Google Drive

250 boxes - Google Drive: https://drive.google.com/drive/folders/1S5-AQ7haDbmwZyiETB9h2bh_YD2gkVlh?usp=sharing

This is was very hard and taught me a lot. I recorded the amount of time it took me to do each page of 6 (about a 25ish minute average for each), and somtimes (very inconsistently) I would make arrows in the direction the arrow needs to go in to be fixed.

Thanks in advance! I am excited to hear your feedback :)

6:14 PM, Thursday April 29th 2021

Congratulations for completing the 250 Box Challenge!

I can see you made some good improvement with the quality of your mark making. Your lines steadily become straighter and more confident looking as you progressed through the challenge. You drew your boxes at a pretty good size and with a variety of orientations and foreshortening. You also start to do a better job of getting your sets of parallel lines to converge more consistently towards their shared vanishing points!

I noticed that you still struggle a bit with applying your extra line weight. When you go to add weight to a line it is important that you treat the added weight the same way you would a brand new line. That means employing the ghosting method here as well. You should be taking your time to plan and ghost through your mark so that when you go to execute your extra line weight, it is done confidently and so that it blends seamlessly with your original mark. This will allow you to create more subtle and clean looking weight to your lines that reinforces the illusion of solidity in your boxes/forms. Extra line weight should be applied to the silhouette of your boxes, as shown here. I recommend that you try adding your extra line weight in no more than 1-2 pases so that you can easily identify mistakes in your work. This diagram should help also you better understand how to properly apply your extra line weight. Something to keep in mind as well, when you are working through Drawabox you should be employing the ghosting method for every mark you make. This includes the hatching that we sometimes use for our boxes.

I did see that you were checking some of your convergences incorrectly.

Checking your convergences is an important step so you should always take your time and make sure you are extending all of your sets of lines correctly. Noticing and identifying mistakes is a major part of the learning process. Checking your boxes for mistakes is how you know what areas you need to address so that you get the most out of each exercise.

Your line extensions should extend away from the viewer and towards their implied vanishing point. You should do this for all three sets of lines that make up your box. They should extend from the center of the Y (from step one of your construction), out along the Y's arms. Be sure to visit the link for more information and for examples that you can use as reference. You can refer to the diagrams in this link if you are ever confused or uncertain.

Finally while your converges do improve overall I think this diagram will help you as well. When you are looking at your sets of lines you want to be focusing only on the lines that share a vanishing point. This does not include lines that share a corner or a plane, only lines that converge towards the same vanishing point. Now when you think of those lines, including those that have not been drawn, you can think about the angles from which they leave the vanishing point. Usually the middle lines have a small angle between them, and this angle will become negligible by the time they reach the box. This can serve as a useful hint.

Before moving onto lesson 2, I am going to have you draw 10 additional boxes.

For these boxes you will do the following:

  • Use the ghosting method for every mark you make, including hatching and extra line weight

  • Draw all of your boxes in 3pt Perspective

  • 5 boxes per page maximum

  • Check all of your convergences as per the instructions

I will mainly be looking at the quality of your mark making to see if you are employing the ghosting method correctly for all of your marks, including extra line weight and hatching. I will also be looking at your boxes to make sure your sets of lines are not being kept purposefully parallel.

Make sure you visit every link I have left for you and reread the challenge instructions in their entirety before beginning your revisions.

Next Steps:

10 additional boxes as described in the critique.

When finished, reply to this critique with your revisions.
7:28 PM, Thursday April 29th 2021

Thanks for the feedback! looking back at my boxes I do agree with what you said, and I should be ghosting every line I used to make the boxes, including the extra line weight and the crosshatching. I've read through all the resources you linked and I'll be sure to consider them for the bonus boxes. Thanks again!

9:31 PM, Thursday May 13th 2021

I've done the extra revised boxes

https://drive.google.com/drive/folders/1ugiaU7rd-xo-FyV31bneLIFju3qY_G1E?usp=sharing

I made sure to reference the resources you sent me and made sure to ghost every line I made. I think the extra line weight could've turned out better, and I did try to focus on the pairs of lines on the edges approaching each vanishing point, but some of them still ended up going the wrong way. But regardless I tried my best.

11:42 PM, Thursday May 13th 2021

This is a good improvement! I can see that your sets of lines are doing a better job of converging towards their shared vanishing points and you have checked all of your convergences correctly.

I will mark this lesson as complete and you can now move onto lesson 2!

Next Steps:

Continue to lesson 2!

This critique marks this lesson as complete.
1:51 PM, Friday May 14th 2021

Thank You!

Below this point is mostly ads. Indie projects, and tool/course recommendations from us.
This section is reserved for low-cost advertising space for art related indie projects.
With how saturated the market is, it is tough for such projects to get eyes on their work.
By providing this section, we hope to help with that.
If you'd like to advertise here, you can do so through comicad.net
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something we've used ourselves, or know to be of impeccable quality. If you're interested, here is a full list.
Marshall Vandruff's Perspective Course

Marshall Vandruff's Perspective Course

Marshall Vandruff is a ubiquitous name in art instruction - not just through his work on the Draftsmen podcast and his other collaborations with Proko, but in his own right. He's been teaching anatomy, gesture, and perspective for decades, and a number of my own friends have taken his classes at the Laguna College of Art and Design (back around 2010), and had only good things to say about him. Not just as an instructor, but as a wonderful person as well.

Many of you will be familiar with his extremely cheap 1994 Perspective Drawing lectures, but here he kicks it up to a whole new level.

We use cookies in conjunction with Google Analytics to anonymously track how our website is used.

This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.

You can read more about what we do with them, read our privacy policy.