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4:26 PM, Tuesday April 13th 2021

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Some of your ellipses in funnels are having some slight issues with tilting off the minor axis. https://drawabox.com/lesson/1/13/notaligned This is something you should always start considering when drawing your ellipses. I am noticing that you are only drawing through 1 to 1-1/2 times on some of these. https://drawabox.com/lesson/1/11/drawingthrough. Now some of these ellipses are still pretty good but you are supposed to be drawing through 2 - 3 times for EVERY single ellipse you draw for all of these lessons. Regardless of whether or not you got it right the first time. These are off to a great start but there's still room for improvement when it comes to accuracy so keep practicing them during your warmups.

The plotted perspective looks great, nothing to mention here. Your rough perspectives turned out pretty good. It's great that you are keeping up with the confident linework on these. You are also doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be straight up and down. This will help you avoid some of the slanting lines you have in your constructions.

Your rotated box exercise turned out really well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. Even though you didn't nail all of the rotations for the most part this was very well done. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are a mixed bag of solid constructions and some wonky ones here and there so the 250 box challenge will be a great next step for you.

Overall this was a fantastic submission that showed a nice deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
10:42 AM, Wednesday April 14th 2021

Hello Rob.

Thank you so much for review and valuable notes.

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The Science of Deciding What You Should Draw

The Science of Deciding What You Should Draw

Right from when students hit the 50% rule early on in Lesson 0, they ask the same question - "What am I supposed to draw?"

It's not magic. We're made to think that when someone just whips off interesting things to draw, that they're gifted in a way that we are not. The problem isn't that we don't have ideas - it's that the ideas we have are so vague, they feel like nothing at all. In this course, we're going to look at how we can explore, pursue, and develop those fuzzy notions into something more concrete.

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