Lesson 1: Lines, Ellipses and Boxes
8:21 PM, Wednesday May 13th 2020
Hi,
I would like to submit my homework with lesson 1. If you have any tips or advices for my work, I am open for your suggestions.
Thank you
Congrats on finishing lesson 1!
Your superimposed lines, ghosted lines and ghosted planes are pretty well done. Your superimposed lines have a few wobbles, but that is something which will be ironed out by practice, as long as you make sure to prioritize confidence over accuracy every time.
Your ellipse exercises are also well done, and for the most part you've managed to make smooth ellipses. As you practice these more you will be able to iron out the wobbles.
Your perspective exercises are also good. In your rotated boxes, the boxes at the far ends do not rotate back as far as they should, and seem to follow the same convergence as the box besides them.
Next Steps:
Generally speaking, these are pretty well done! I didn't have very much to say, but just remember to keep practicing these exercises in your warmups. Your next step should be the 250 box challenge. In addition, consider giving critique to other students' lesson 1 submissions, as that will help solidify these concepts even further (and it will help the community!)
Thank you for your opinion :)
I'm trying to practice everyday these exercises like there is in instructions.
I will start preparing myself for box challenge
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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