Hi there, rawcandyy!

No worries, I'll comment on your other submission to help push it out of queue.

Congratulations on finishing the 250 box challenge!

Before I delve into your boxes, let’s talk about lines. You’re executing confident strokes, which is fantastic. However, there are quite a bit of repeated lines. So much that I wasn’t sure if they were for line weight or for correcting your original line, but I’ll address them both. If you have an errant line, no matter how tempting it is, do not correct it and stick with what you have. When applying line weight, they should be:

• applied to the silhouette (outer edges) of the box to reinforce it as one solid entity

• subtle. Just one extra line over will suffice, ghosted and executed confidently like your original lines.

Onto boxes! You have a nice mix of boxes with various orientations, though I would say you have much more instances of dramatic foreshortening with more extreme perspective applied. While it’s good to practice dramatic foreshortening, these aren’t as common as objects of shallow foreshortening, so I would’ve liked to see more shallow perspective in your submission.

Nevertheless, boxes are pretty solid from the start. There are some typical issues with diverging lines, but these improve with more accuracy as you end the challenge. I think you’re still struggling with the inner corner diverging, which is normal. Continue to think about the relationship between the overall sets of lines rather than just the pairs of lines. Here is a diagram that helps explain the relationship of the lines. Taking this into account, you can also try to modify the order in which you draw the box, as briefly explained here by community member Elodin. These diagrams may help you with your approach to drawing boxes.

All in all, I think you’re doing a pretty good job.