View Full Submission View Parent Comment
2 users agree
8:02 AM, Sunday September 25th 2022

Hi. I'll be handling your submission.

Your arrows look good. Looks like you get the idea.

organic forms withb contour lines look good but the sausages look pinched and inflatted in some areas. And these forms aren't supposssed to be forshortened in this exercise. Your textures look exeptional and as a sidenote I really like your referance choices. And your textures analysis is really good. Honestly could you give some pointers on textures cause I need some help.

Your form intersections look good but some spheres look forshortened in some areas. So, i'll be giving you a page of that.

Organic intersections look good as well

Next Steps:

Please a page of organic forms with countour lines. And please try keep them simple and the same width.

And a page of form intersections with the same level fprshortening applied to every form.

Good luck

When finished, reply to this critique with your revisions.
12:25 AM, Thursday September 29th 2022

Re-did Organic forms with contour lines and form intersections (spheres are hard!).

Revisions

6:48 AM, Thursday September 29th 2022

Great good job. an yes spheres are a pain. Your line weight form intersections are a bit messy but good work. Remember not to chicken scratch and you'll be fine.

Next Steps:

go to lesson 3 and have fun.

This community member feels the lesson should be marked as complete, and 2 others agree. The student has earned their completion badge for this lesson and should feel confident in moving onto the next lesson.
The recommendation below is an advertisement. Most of the links here are part of Amazon's affiliate program (unless otherwise stated), which helps support this website. It's also more than that - it's a hand-picked recommendation of something we've used ourselves, or know to be of impeccable quality. If you're interested, here is a full list.
Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

This website uses cookies. You can read more about what we do with them, read our privacy policy.