Hello! I'm Joxmarf and I will be reviewing your Lesson 1
Superimposed Lines
There's some fraying. Remember to place your pen mindfully before doing the stroke.
Ghosted Lines
These are good. Some of your lines arc a bit. If you arer drawing from your shoulder, you could intentionally try to arc your stroke a bit in the opposite direction to counteract the natural curve.
Ghosted Planes and Ellipses
Some of your ellipses were only drawn through once. Your ellipses seem confidently drawn.
Table of Ellipses
Your ellipses are tight, but many of them aren't touching each other. Remember that you must avoid to keep them 'floating'.
Funnels
It is difficult, but remember to do your best to align them to the minor axis.
Plotted Perspective
Well done.
Rough Perspective
Well done.
Rotated boxes
You missed some boxes. Remember that, while the boxes in the corners are challenging, they are important and fear of 'ruining' the page will hold you back. Complete the exercise before moving onto the 250 challenge.
Organic Perspective
Well done. Your boxes have a shallow foreshortening, which helps keep the sense of scale consistent.
Next Steps:
FInish the rotated boxes exercise before moving onto the 250 box challenge. Add these exercises to your warmup pool. Good job!
Hey thank you so much for taking all your time out, I'll surely keep this in mind before I move on to the 250 box challenge. Will rectify my mistakes and get some more practice!
of course! happy to help :D
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
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