250 Box Challenge

1:18 PM, Wednesday November 13th 2024

250 Box Challange - Album on Imgur

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While this challange was (obviously) hard, i found it quite fascinating how over time the focus of practicing changed. At first all i tried was to draw passable boxes but soon i would focus on different things and move the focus to something else as soon as I felt like having made satisfactory progress. Some of the aspects I focused on include line weight (to communicate depth), drawing with the whole arm, technical line quality (really dialed in my ghosting), trying different sequences to constructing the box, relaxing my drawing arm and grip on the pen, boxes with rapid convergence and boxes with mixed convergence to name the major ones.

Also this challange was very good to really understand the benefits of structure. I never struggled what to practice because there was a plan in place and whenever I finished my piece of the challange for the day it was much easier to tackle some 50%-rule drawings because I was limbered up and ready to go.

However there remain some difficulties that I have whenever drawing outside drawabox that I would like to ask for advice on. One of the main things is that I feel like I am precious with my sketchbooks and it represents a hurdle to just draw in them and also mess up. The way I try and force myself to see the sketchbooks is that they are study books where i can put my practice and I try to channel the preciousness into being very deliberate and do my best which is nice for studying. But I do still feel that I do not have any space where I can just let go and put marks on the page sometimes sloppy sometimes careful just to kind of let go. Another thing I have been thinking about is that there are no "finished" drawings. I do understand that there should be no pressure to "produce" finished pieces of art but I feel more like one of the things holding me back is a feeling of not being good enough yet to produce something finished. The way I try to deal with this is to set myself the challange to make a finished original piece (I have planned a self portrait) but i keep pushing it further down the line.

Anyway. Any advice on the above points would be greatly appreciated. I am looking forward to your critique and instructions for the next steps. Thank you :)

Best

Marius (Z0te)

11:21 PM, Saturday November 16th 2024

Hi there, I'll be handling your box challenge critique.

In the future please try to limit what you include in your critique to just a simple greeting and any questions you may have. It may seem strict but ultimately we don't want any of your critique to influence our thoughts and lengthy submissions do take up time that we could be using to help you or other students. Nothing personal nor does it mean your feelings are invalid We just have to read it all to make sure we're not missing questions and it does add up with the volume of students we deal with.

I'll address your questions here quickly:

  • Ultimately I can't tell you how to think, nor can I magically make things less precious. At the end of the day though, sketchbooks are just bundles of paper no different than printer paper. Yes they can look fancier, yes they're more organized and they can feel precious (they might even be higher quality) but if you don't use them they'll just sit and collect dust. Perfection is the enemy of good, and if you wouldn't do something unless it's perfect you'd never do anything because mistakes will always be made and no one starts out perfect (nor do they ever reach it really, always room to grow). Just do your best, realize that mistakes are part of the process and learn from them. The time spent worrying about "ruining" sketchbooks can go to filling more of them and you'll be happier with the progress you make and look back on how far you've grown. Can also brute force it to a degree by working in pen or markers, something that you can't erase (as long as the paper doesn't eat at the pen tips). Personally I used to find working with markers without any lines fun because once I started there was no point in stopping really and I couldn't just sit there and erase lines endlessly.

  • As for your finishing comment, you can always add more to a piece, but you decide when it's finished. Whether it be out of boredom, lack of energy or just thinking it's good enough and you learned what you wanted to learn from it. Unless you're being paid to deliver something specific or you're following a course with requirements, you decide when to start and when to end.

Hope that helps.

Congratulations on completing the box challenge, it's definitely a lot more work than most people expect. Not only does it help deepen your understanding of important concepts but it shows your desire to learn as well. Be proud of what you've accomplished and that desire you've shown. That being said I'll try to keep this critique fairly brief so you can get working on the next steps as soon as possible.

Things you did well:

  • Your construction lines are looking smooth and confidently drawn.

  • You're doing a great job of experimenting with orientations, proportions and rates of foreshortening. Experimenting is an important habit to build when learning any new skill, it helps form a more well rounded understanding. I hope you'll continue to display and nurture this habit in the future.

Things you can work on:

  • It's not a requirement of the challenge but I recommend practicing applying hatching in your future work. It's a useful tool to learn and the only way to improve is to practice.

  • There are times when your lines converge in pairs or you attempt to keep your lines a bit too parallel which results in them diverging. This is an example of lines converging in pairs, and this shows the relation between each line in a set and their respective vanishing point. The inner pair of lines will be quite similar unless the box gets quite long and the outer pair can vary a lot depending on the location of the vanishing point. Move it further away and the lines become closer to parallel while moving it closer increases the rate of foreshortening.

The key things we want to remember from this exercise are that our lines should always converge as a set not in pairs, never diverge from the vanishing point and due to perspective they won't be completely parallel.

While I've noted a few things you can work on in the critique above, you've completed quite the daunting challenge. Overall your boxes are looking solid, good work.

That being said I'll be marking your submission as complete and move you on to lesson 2.

Keep practicing previous exercises and boxes as warm ups, and good luck.

Next Steps:

Move on to lesson 2.

This critique marks this lesson as complete.
10:01 AM, Sunday November 17th 2024

Thank you Tofu for your critique and for answering my questions.

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