3:28 AM, Monday March 17th 2025

Welcome and congratulations on finishing the first lesson of Drawabox! I'm Mada and I'll be taking a look at your submission.

Overall you did an excellent job here, but I do have a bit to mention so let's break them down one by one. I'll write the most important things in bold.

Lines

Starting with your superimposed lines, these are looking good. Ghosted lines look correctly ghosted and confident too, and there are barely any arching. You've also demonstrated the same confidence in your ghosted planes with a great accuracy. However, I noticed that you didn't put the start and end points when you bisect the planes horizontally and vertically. This results in floating lines, like this: https://imgur.com/a/Ud2O6tR. Do not forget to always plan your lines first when ghosting, even though you already kind of know where they should be.

Ellipses

Now with the tables of ellipses, you've demonstrated a great understanding of the concept in executing confident ellipses. The ellipses in planes are nice, you drew it confidently and snugly in their respective planes.

The funnels are also looking great; you've managed to fit them snugly and aligned to the minor axis and carried the same confidence as in previous exercises. I have no complaints here as your ellipses will tighten as you get more practice. Also this is optional, but you can attempt the optional step of varying the ellipse's degrees as you move outwards in your warm ups, as mentioned here: https://drawabox.com/lesson/1/18/step3

Boxes

You've shown a good understanding of how to make 2 point perspective in the plotted perspective. I did see a few skewed back vertical lines here and there, which is usually caused by an accumulation of human error as you plot more and more lines. I assume that's the case and you understand that every vertical line is straight in 2 point perspective. Even if the points are not aligned correctly, try to find a middle ground and draw it as vertical as you can.

You've applied the ghosting method and lines extension correctly for the rough perspective. You also drew the front/back faces rectangular, which is correct for 1 point perspective.

As the notoriously most difficult exercise in this lesson, you've done a great job at doing the rotated boxes. You've rotated them pretty well (while making sure to move the converging lines) and used neighboring elements to deduce the next orientation of boxes, which is the whole purpose of this exercise.

Finally, organic perspective looks great as well. They look like they belong in the same page and the lines converge as they move farther away from the viewer. There are a few hiccups here and there where there are divergences that results in skewed boxes, but overall they're minor and they look pretty solid.

This will get more relevant as you get to the box challenge, but if you wish to do so, any hatching from this point on should also be done with the ghosting method. It will make your stuff cleaner and more practice is always good! Try to cover the whole area of the box with consistent spacing.

One last thing I want to mention is do not correct your lines by going over it with more lines. This will make your mistake stands out even more with how bold it is, and generally is against the concept of executing planned confident lines throughout this course. Unless it's waaaaay off the trajectory, accept the mistake and trust your muscle memory that it will get better with time and practice.

Anyway, I think you've grasped the concepts of the whole lesson and ready to put them into practice in warmups. Again, congratulations and keep up the good work!

Next Steps:

Move onto the 250 box challenge.

Do the lesson 1 exercises as your regular warmup and don't forget your 50% rule art.

This critique marks this lesson as complete.
3:30 PM, Monday March 17th 2025

Thanks Mada for your time, do I choose random warm-ups? And should I warm up every time I sit and draw? Asking for best practices.

10:53 PM, Monday March 17th 2025

You warm up for 5-15 mins every time you want to do a drawing for the day and choose randomly from the pool of exercises you've done before!

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Framed Ink

Framed Ink

I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.

Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.

Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.

Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.

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