Lesson 1: Lines, Ellipses and Boxes
3:59 AM, Tuesday February 20th 2024
1st post. Happy to receive all critique. Will doodle in the meantime.
Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.
Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Some of your ellipses in funnels are having some issues with tilting off the minor axis. https://drawabox.com/lesson/1/18/notaligned This is something you should always start considering when drawing your ellipses. One thing you could have done with these is start with a narrower degree ellipse in the center and then widen the degrees of the ellipses as they move outwards in the funnel. Please check the example here. https://drawabox.com/lesson/1/18/step3 This helps with practicing different degrees of ellipses. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.
The plotted perspective looks good although a few of the vertical legs on your boxes are slanting a bit. It's important to realize in a two point perspective drawing that all of your vertical box legs should be perpendicular(straight up and down) to the horizon line. Your rough perspective exercises turned out pretty well. You are getting a mix of confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/14/wobblinglines This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. While you did extend some of the lines back on your boxes to check your work please make sure to fully follow the directions for the exercise as you skipped lines here and there. You also dotted the lines instead of using solid segments and if you wanted to avoid confusion with your boxes done in pen you could have done the extensions in pencil or another color pen. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. You are running into some pretty severe issues with slanting legs on your boxes so one thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.
Your rotated box exercise was obviously a bit of a struggle. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. You are running into a pretty common issue of not actually rotating your boxes in some cases but instead simply drawing them moving back in perspective. https://drawabox.com/lesson/1/21/notrotating I can see that you were a bit perplexed by the corners but please don't just leave something blank if you don't understand it as you will be assigned revisions in the future for doing so. A big part of learning how to draw is getting used to working outside of your comfort zone so at least attempt to put something down even if you don't fully understand it. So I can see you are struggling quite a bit with the outer rotations and proportions of the boxes on this exercise which is perfectly fine given the difficulty of this exercise. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are fairly wonky throughout this exercise and you need to develop a better sense for how box lines converge to vps so the 250 box challenge will be a great next step for you.
Overall this was a solid submission that showed a good deal of growth. Your line confidence and ellipses are both coming along nicely. Your box constructions and spatial thinking ability still needs work but that what the upcoming lessons are for. Otherwise, I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!
Next Steps:
The 250 Box Challenge
Hi Rob,
Thanks for the excellent critique. I appreciate the effort and how you identified where I'm struggling. I certainly need to work on perspective, and I'm going to be thinking all about how I can improve on the 250 boxes.
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
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