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1:29 AM, Sunday December 3rd 2023

Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.

Your tables of ellipses are coming along pretty good. You are doing a good job drawing through your ellipses and focusing on consistent smooth ellipse shapes. This is carried over nicely into your ellipses in planes. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. A few of your ellipses in funnels are having some slight issues with tilting off the minor axis. https://drawabox.com/lesson/1/18/notaligned This is something you should always start considering when drawing your ellipses. Your ellipses are off to a great start but there's still room for improvement so keep practicing them during your warmups.

The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty well. You are getting a mix of confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/13/wobbling This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. The other possibility is that you have reverted back to drawing from your wrist for some of these lines. Just something to keep an eye on. You should be drawing from your shoulder for basically every line you draw, even shorter ones. The wrist should be reserved for detail work only. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. A quick note regarding added hatching as well. If you want to hatch the front plane of the box that's fine but this should never be "scribbled in" like a few lines I'm seeing here. Treat them the same as any other line you would draw and also make sure they are going from end to end of the plane and not just floating in the middle.

Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. While the rotations here aren't perfect this was a good effort overall. The more you draw and develop your spatial thinking ability the easier these rotations are to handle. I do have some notes regarding added line weight I'd like to share. If you want to add line weight make sure you don't revert back to using your wrist and are drawing from your shoulder with confidence. Also added line weight should be subtle so try and only go over a line one additional time instead of multiple times. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. Your box constructions are a bit of a mixed bag. While I can see some boxes that show an understanding of how box lines converge to vps I'm also seeing wonky constructions with convergence issues throughout this exercise so the 250 box challenge will be a great next step for you to keep working on this.

Overall this was a solid submission that showed a good deal of growth. Your line confidence and ellipses are both coming along nicely. I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!

Next Steps:

The 250 Box Challenge

This critique marks this lesson as complete.
8:06 PM, Sunday December 3rd 2023

Hi Rob,

Thanks for the quick and extensive feedback. A lot of good suggestions. I appreciate you taking the time fot this. I'll move forward to the bos challenge.

Best,

Sergio

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Staedtler Pigment Liners

Staedtler Pigment Liners

These are what I use when doing these exercises. They usually run somewhere in the middle of the price/quality range, and are often sold in sets of different line weights - remember that for the Drawabox lessons, we only really use the 0.5s, so try and find sets that sell only one size.

Alternatively, if at all possible, going to an art supply store and buying the pens in person is often better because they'll generally sell them individually and allow you to test them out before you buy (to weed out any duds).

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