Congrats to have complete lesson 2 !
Arrows : First your lines are confidently executed which is great however your lineweight are pretty messy, here is somepoints on them :
-When adding lineweight to the arrows, they should only be done with 1 line, no more so the lineweight is not overdone.
-Lineweight needs to be done with a confident, ghosted line. Tracing over the previous line slowly is a mistake.
-Lineweight should only be added to the part that overlaps as well, it is not needed to add lineweight to the full line.
Next, you should accentuate the compressing of your arrows, the arrows need to get bigger and bigger as they go towards the viewer. Both in size, and the spacing between each fold.
https://d15v304a6xpq4b.cloudfront.net/lesson_images/011d064f.jpg
https://d15v304a6xpq4b.cloudfront.net/lesson_images/0f7c806c.jpg
Organic forms : Your saussages are pretty, however often the angle of your ellipses are messy, here something that may help you : https://imgur.com/rXLBxSg
Textures : Great but you should accentuate the gradient .
Dissections : Good work !
Form Intersections : It would appear that you understand the exerice however try to not add too much solid, something like 12 is fine.
Organic intersection : Pretty ok but sometimes your shadows are a little bit off : https://d15v304a6xpq4b.cloudfront.net/lesson_images/516f8d4f.jpg
https://www.youtube.com/watch?v=QgcmB26CHLY&feature=youtu.be
Next Steps:
Lesson 3 or 25 textures challenge !
Thanks so much for the critique! I'll be able to learn and improve a lot from this feedback :D
While I have a massive library of non-instructional art books I've collected over the years, there's only a handful that are actually important to me. This is one of them - so much so that I jammed my copy into my overstuffed backpack when flying back from my parents' house just so I could have it at my apartment. My back's been sore for a week.
The reason I hold this book in such high esteem is because of how it puts the relatively new field of game art into perspective, showing how concept art really just started off as crude sketches intended to communicate ideas to storytellers, designers and 3D modelers. How all of this focus on beautiful illustrations is really secondary to the core of a concept artist's job. A real eye-opener.
Remember that when you agree with something another user has written, you are putting your own reputation behind it.
Consider the following:
Agreeing blindly just to be nice is a good way to get your permissions associated with this function revoked, so make sure that you genuinely feel that the response is beneficial to the student.
We use cookies in conjunction with Google Analytics to anonymously track how our website is used.
This data is not shared with any other parties or sold to anyone. They are also disabled until consent is provided by clicking the button below, and this consent can be revoked at any time by clicking the "Revoke Analytics Cookie Consent" link in our website footer.
You can read more about what we do with them, read our privacy policy.
