Lesson 3: Applying Construction to Plants
4:51 AM, Wednesday March 8th 2023
Feedback welcomed, thanks!
Hello! I'm gonna do the critique on video so I don't hurt my wrist too much, if you can't hear something well or want me to explain something else please tell me! Here's the crit.
Next Steps:
Lesson 4
Thank you so much for the critique! That was really helpful, especially knowing it's actually preferable to pick simpler subjects, really drawing through, and breaking down the smaller parts into simpler forms.
No need to respond to the following. I'm just putting my notes from your video here, cause it's handy to have notes attached to the submission.
Arrows
-Make them grow more dramatically
Leaves
-Ghost more: there is too much fraying--ghost to make sure lines that need to touch touch
Branches
-Good alignment--make sure ellipses align with the centerline when you do the entire plant
Plants
-Pick simpler subjects
-Break down large and small forms into simple 3D shapes
-Domes
-Cylinders
-Wobbly planes ("leaves")
-Paddles
-Boxes
-Spheres
-If a lot of texture is added, take a photo of just the construction lines first
-Check VPs on boxes, remember how circles turn in space
-Add centerlines to leaves, petals, tubes
-Keep ellipses aligned with centerlines of tubes
-Keep drawing through ellipses
-Draw through more
-Ghost the details too
No worries, I'm glad it helped!
I'd been drawing as a hobby for a solid 10 years at least before I finally had the concept of composition explained to me by a friend.
Unlike the spatial reasoning we delve into here, where it's all about understanding the relationships between things in three dimensions, composition is all about understanding what you're drawing as it exists in two dimensions. It's about the silhouettes that are used to represent objects, without concern for what those objects are. It's all just shapes, how those shapes balance against one another, and how their arrangement encourages the viewer's eye to follow a specific path. When it comes to illustration, composition is extremely important, and coming to understand it fundamentally changed how I approached my own work.
Marcos Mateu-Mestre's Framed Ink is among the best books out there on explaining composition, and how to think through the way in which you lay out your work.
Illustration is, at its core, storytelling, and understanding composition will arm you with the tools you'll need to tell stories that occur across a span of time, within the confines of a single frame.
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