Lesson 3: Applying Construction to Plants
4:51 AM, Wednesday March 8th 2023
Feedback welcomed, thanks!
Hello! I'm gonna do the critique on video so I don't hurt my wrist too much, if you can't hear something well or want me to explain something else please tell me! Here's the crit.
Next Steps:
Lesson 4
Thank you so much for the critique! That was really helpful, especially knowing it's actually preferable to pick simpler subjects, really drawing through, and breaking down the smaller parts into simpler forms.
No need to respond to the following. I'm just putting my notes from your video here, cause it's handy to have notes attached to the submission.
Arrows
-Make them grow more dramatically
Leaves
-Ghost more: there is too much fraying--ghost to make sure lines that need to touch touch
Branches
-Good alignment--make sure ellipses align with the centerline when you do the entire plant
Plants
-Pick simpler subjects
-Break down large and small forms into simple 3D shapes
-Domes
-Cylinders
-Wobbly planes ("leaves")
-Paddles
-Boxes
-Spheres
-If a lot of texture is added, take a photo of just the construction lines first
-Check VPs on boxes, remember how circles turn in space
-Add centerlines to leaves, petals, tubes
-Keep ellipses aligned with centerlines of tubes
-Keep drawing through ellipses
-Draw through more
-Ghost the details too
No worries, I'm glad it helped!
Where the rest of my recommendations tend to be for specific products, this one is a little more general. It's about printer paper.
As discussed in Lesson 0, printer paper (A4 or 8.5"x11") is what we recommend. It's well suited to the kind of tools we're using, and the nature of the work we're doing (in terms of size). But a lot of students still feel driven to sketchbooks, either by a desire to feel more like an artist, or to be able to compile their work as they go through the course.
Neither is a good enough reason to use something that is going to more expensive, more complex in terms of finding the right kind for the tools we're using, more stress-inducing (in terms of not wanting to "ruin" a sketchbook - we make a lot of mistakes throughout the work in this course), and more likely to keep you from developing the habits we try to instill in our students (like rotating the page to find a comfortable angle of approach).
Whether you grab the ream of printer paper linked here, a different brand, or pick one up from a store near you - do yourself a favour and don't make things even more difficult for you. And if you want to compile your work, you can always keep it in a folder, and even have it bound into a book when you're done.
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