Hello and congrats on completing lesson one. My name is Rob and I'm a teaching assistant for Drawabox who will be handling your lesson one critique. Starting with your superimposed lines these are off to a fine start. You are keeping a clearly defined starting point with all of your wavering at the opposite end. Your ghosted lines and planes turned out well. You are using the ghosting method to good effect to get confident linework with a pretty decent deal of accuracy that will get better and better with practice.
Your tables of ellipses are coming along pretty good. You are doing a good job focusing on consistent smooth ellipse shapes although I can see a few spots where you didn't draw through your ellipses. https://drawabox.com/lesson/1/12/drawingthrough This is a just a reminder that you need to be drawing through ALL of these ellipses you draw for ALL of these lessons without exception. Even if you feel like you got it right the first time. The ellipses in planes turned out well. It's great that you aren't overly concerned with accuracy and are instead focused on getting smooth ellipse shapes. Although accuracy is our end goal it can't really be forced and tends to come with mileage and consistent practice more than anything else. Your ellipses in funnels are having some issues with tilting off the minor axis. https://drawabox.com/lesson/1/14/notaligned This is something you should always start considering when drawing your ellipses. One thing you could have done with these is start with a narrower degree ellipse in the center and then widen the degrees of the ellipses as they move outwards in the funnel. Please check the example here. https://drawabox.com/lesson/1/14/step3 This helps with practicing different degrees of ellipses. Your ellipses are off to a great start but there's still room for improvement when it comes to accuracy so keep practicing them during your warmups.
The plotted perspective looks great, nothing to mention here. Your rough perspective exercises turned out pretty good. You are getting a mix of confident linework here along with some wobble creeping back into some of your lines. https://drawabox.com/lesson/1/9/wobbling This is probably happening because you are more concerned with accuracy now that you are constructing boxes and you are slowing down your stroke to compensate. That hesitation because of your concern for accuracy while making your mark is what is reintroducing the wobble into your lines. Try and rely a bit more on the muscle memory you build up while ghosting your mark and almost make your mark without thinking. This will be less accurate at first but will give you consistently smooth and confident linework which is our first priority. Accuracy will come with mileage and can't really be forced. I'm see a few areas where you missed drawing the back legs of some of your boxes which tells me you probably rushed through this is a bit. Make sure you are really taking your time with all of the exercises as you will be assigned revisions in future lessons for skipping steps. You are doing a good job extending the lines back on your boxes to check your work. As you can see some of your perspective estimations were quite off but that will become more intuitive with practice. One thing that can help you a bit when doing a one point perspective exercise like this is to realize that all of your horizontal lines should be parallel to the horizon line and all of your verticals should be perpendicular(straight up and down in this case) to the horizon line. This will help you avoid some of the slanting lines you have in your constructions.
Your rotated box exercise turned out pretty well. I like that you drew this nice and big as that really helps when dealing with complex spatial problems. You also did a good job drawing through your boxes and keeping your gaps narrow and consistent. While the rotations here aren't perfect this was a good effort overall. This is a great exercise to come back to after a few lessons to see how much your spatial thinking ability has improved. Your organic perspective exercises are looking pretty good. You seem to be getting comfortable using the ghosting method and drawing from your shoulder for confident linework which is great. You have a mix of wonky box constructions and some solid ones but with the solid one you are relying somewhat heavily on parallel lines for your box constructions which is leading to weird divergences in some cases. The 250 box challenge will be a great next step for you in order to develop a better understanding of how box lines need to converge to vp's.
Overall this was a solid submission that showed a nice deal of growth. Your line confidence and ellipses are both coming along nicely. Just make sure you take your time on all future submissions and I feel like you rushed in a few places. Otherwise, I think you are understanding most of the concepts these lessons are trying to convey quite well. I'm going to mark this as complete and good luck with the 250 box challenge. Keep up the good work!
Next Steps:
The 250 Box Challenge
Some of you may remember James Gurney's breathtaking work in the Dinotopia series. This is easily my favourite book on the topic of colour and light, and comes highly recommended by any artist worth their salt. While it speaks from the perspective of a traditional painter, the information in this book is invaluable for work in any medium.
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